If this album really is limited to 500, the fact that it didn't sell out long ago is criminal. Possibly one of the best works in the genre, and certainly some of the best I've heard from the highly respected, late, great, Koji Tano. Churning, high energy bass swirls and explosions mix with thick foghorn feedback shrills and assorted skree in an epic composition intent on building a black hole between your ears to suck away your brain.