The b-side is absolutely brilliant. Stirring and emotionally evocative with loose jazzy riffs and percussion (like most of his deeper tracks). I had a chance to talk with Theo at a Three Chairs gig in Chicago and this was the track I immediately talked about. It's that good. Too bad Jill Scott's people didn't use it. Their loss.

First saw these in Detroit at the Track Mode party, then they disappeared, except for in overpriced bidding wars on e-bay through-out the summer. Another pressing was issued late 2002 dropping the immediate collectability of this record. supposedly the volumes were repressed to get some money to move back to Detroit.
Out of the three ugly edits, this is the least user friendly one. I can't stand the b-side too fast, reminds me of some disco edits from 95 or so.