| Title | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Moment Of Truth (CD, Album) | Concept In Dance | DICCD 125 | UK | 1996 | |
| Moment Of Truth (2x12", Album) | Concept In Dance | DICLP 125 | UK | 1996 | |
| Moment Of Truth (CD, Album) | Intercord Tonträger GmbH | INT 847.908 | Germany | 1996 | |
| Moment Of Truth (CD, Album) | Avex Trax | AVCD-11431 | Japan | 1996 | |
| Moment Of Truth (CD, Album) | Delabel | 7243 8 41416 2 2 | France | 1996 | |
| Moment Of Truth (Cass, Album) | Concept In Dance | DICMC 125 | UK | 1996 | |
| Moment Of Truth (11xFile, MP3, Album, 320) | XL Recordings | DICCDL 125 | UK | 2001 | |
| Moment Of Truth (11xFile, WAV, Album) | XL Recordings | DICCDL 125 | UK | 2001 |
referencing Moment Of Truth, CD, Album, DICCD 125
referencing Moment Of Truth, CD, Album, DICCD 125
referencing Moment Of Truth, CD, Album, DICCD 125
referencing Moment Of Truth, CD, Album, DICCD 125
referencing Moment Of Truth, CD, Album, DICCD 125
referencing Moment Of Truth, CD, Album, DICCD 125
referencing Moment Of Truth, CD, Album, DICCD 125
Disclaimer: Videos may not match exact release
Martin Freeland is the rare kind of guy who invites you not only to ride his electronic fury, he gives you an honest hug at the same time. His messages are "All is full of fluff", "Be not afraid in the dark, I'm with you" and "Where is the beast? I'll kill you, pigwang!".
Yep, this is no stuff for the real tough guys out there who think about coolness all day. Freeland does not fear the simple melody, the bigger emotion, the 4-to-the-floor thing. He burns down all the barriers between music genres within an arpeggio. Who cares about EBM, Club Techno, Dance Pop or Trance, if you get all of them together?
This is an album you can listen to whereever you want - it just works fine. The club tunes don't yank your chain at home and a title like "Floor-essence" defines the functional blueprint for itself. The version of "Sugar rush" invites you straight to the fast-lane on an never-ending motorway. On the other side, "Azymuth" introduces me to a sort of Psybient stuff that seems to be totally new when I heard it for the first time back in '97. And it works in a club environment, too - as I've spot a few months later.
A lot of people say "Dance music sounds all the same to me, cheesy and monotone". They're right most of the time maybe, but this one here is different.
Man with no Name is an artist who has it's very own signature in composing music. His song structures are assembled very clever, always with the thought of prolonging the climax. His kickdrum is a special one, hitting hard and melting soft. His melodies and sequences come from another world, so simple, pretty and unforgettable.
Believe me: No other Psytrance album has got the qualities of this one - and I've heard a lot of them through the years. Freeland never ever has been so fresh and intense as on this. His other work is still outstanding and unique, but that looks quite like another story to tell. Do I really recommend you his dozens of remixes which he'd produced during the nineties?
Here you go.