For me, this is the Stephan Bodzin essential track. Not to exclude Marc Romboy but the futher you go into Bodzin's catalog, the more obvious it becomes on who is doing the specific sound which makes this record the flagship track it is.
Romboy has several decent tracks worth a listen but like Oliver Huntemann, it becomes a task to seperate the good bits from the average bits. Then there is Bodzin himself which in the space of two years has nearly 100 different releases. Some get around without being suspected, like Schumacher's "Is Not". Until you realize "Is Not Thomas Scuhmacher". The track here is called "Ariel" and basically is a sparse minimal track of German origin which has this B-52 Bomber Plane sound which sounds quite like WW2. It is a subtile disturbance at best, but done quite well.
Romboy has several decent tracks worth a listen but like Oliver Huntemann, it becomes a task to seperate the good bits from the average bits. Then there is Bodzin himself which in the space of two years has nearly 100 different releases. Some get around without being suspected, like Schumacher's "Is Not". Until you realize "Is Not Thomas Scuhmacher". The track here is called "Ariel" and basically is a sparse minimal track of German origin which has this B-52 Bomber Plane sound which sounds quite like WW2. It is a subtile disturbance at best, but done quite well.