Review by BissiaJul 29, 2005(edited over 4 years ago)
This does not only sample TV series and it obviously use the sampler as the main, if not sole, instrument !
A side use bits of Kraftwerk, early 90's Northern UK bleeps and even the bass line and bits of percussion from jazz funk pioneer Lonnie Liston Smith title 'Expansions'. This sort of music can be just (for) fun if you're in the mood, make you smile but can also be disgusting at time of intense abuse.
The first track on the B side is a way more 'serious' techno rave type of tune (even if I'm pretty sure it use many samples too) but the second B side track do it again with a large range of borrowed Hip-Hop MCs voices sliced all the way with some snippets of Suzanne Vega's voice (that one featured on DNA 'Tom's Dinner'). I keep it: this IS a Sampladelic 'classic', if you recognise that sub-genre. °?
A side use bits of Kraftwerk, early 90's Northern UK bleeps and even the bass line and bits of percussion from jazz funk pioneer Lonnie Liston Smith title 'Expansions'. This sort of music can be just (for) fun if you're in the mood, make you smile but can also be disgusting at time of intense abuse.
The first track on the B side is a way more 'serious' techno rave type of tune (even if I'm pretty sure it use many samples too) but the second B side track do it again with a large range of borrowed Hip-Hop MCs voices sliced all the way with some snippets of Suzanne Vega's voice (that one featured on DNA 'Tom's Dinner'). I keep it: this IS a Sampladelic 'classic', if you recognise that sub-genre. °?