Review by ecuadorian_bassMar 16, 2005(edited over 4 years ago)
Mmmmm, genre = electronic. I think not, but nevertheless this is a wonderful album, and a great example of classical minimalism that differs from the American school ie. Glass, Reich, Adams etc.
This was the first collaboration between Nyman and British director/writer/visual artist Peter Greenaway (who is infamous for his overtly sensual and pictorally stunning films). Their other projects include: A Zed and Two Noughts, Drowning by Numbers, and The Cook, The Thief, His Wife and Her Lover.
Nyman's music is a perfect accompaniment to Greenaway's surreal artisic vision, and helps to maintain an emotional narrative that can sometimes be lost amongst the visual symbolism in the films.
This was the first collaboration between Nyman and British director/writer/visual artist Peter Greenaway (who is infamous for his overtly sensual and pictorally stunning films). Their other projects include: A Zed and Two Noughts, Drowning by Numbers, and The Cook, The Thief, His Wife and Her Lover.
Nyman's music is a perfect accompaniment to Greenaway's surreal artisic vision, and helps to maintain an emotional narrative that can sometimes be lost amongst the visual symbolism in the films.