Tracklist
| The Start Of Your Ending (41st Side) | 4:24 | ||
| [The Infamous Prelude] | 2:12 | ||
| Survival Of The Fittest | 3:43 | ||
| Eye For A Eye (Your Beef Is Mines) | 4:54 | ||
| [Just Step Prelude] | 1:06 | ||
| Give Up The Goods (Just Step) | 4:02 | ||
| Temperature's Rising | 5:00 | ||
| Up North Trip | 4:58 | ||
| Trife Life | 5:19 | ||
| Q.U. -- Hectic | 4:55 | ||
| Right Back To You | 4:52 | ||
| [The Grave Prelude] | 0:30 | ||
| Cradle To The Grave | 5:16 | ||
| Drink Away The Pain (Situations) | 4:44 | ||
| Shook Ones Pt. II | 5:24 | ||
| Party Over | 5:40 |
Versions
| Title | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| The Infamous (CD, Album) | Loud Records | 66480-2 | US | 1995 | |
| The Infamous (2xLP, Album) | Loud Records | 07863-66480-1 | US | 1995 | |
| The Infamous (CD, Album) | BMG Music Canada | BG2 66480 | Canada | 1995 | |
| The Infamous (CD, Album) | Loud Records, RCA | 07863 66480 2 | Europe | 1995 | |
| The Infamous (Cass, Album) | Loud Records | 07863-66480-4 | US | 1995 | |
| The Infamous (Instrumental) (LP, Unofficial) | Not On Label (Mobb Deep) | MBDP-9601 | US | ||
| The Infamous (2xLP, Album, RE) | Loud Records | 07863-66480-1 | US |
Recommendations
Reviews & Discussion
Show all 3 reviews Post Your Review or Commentthezovietdada
as reviewed by thezovietdada May 30, 2008
referencing The Infamous, CD, Album, 66480-2
Of all the gritty SP-1200 laden early 90s NYC hiphop masterpiece albums (you know them, anything RZA touched, Nas, etc.) no production feels as fresh in my mind as The Infamous. I mean this album is unbelievably dark and dirty. Every sample seems buried under layers and layers of record hiss, rain and fog. It's so hardboiled, urban, deep and atmospheric, that I would doubt that modern dubstep producers like Burial and Vex'd aren't huge fans. Havoc & Prodigy's rhymes have a deadpan, stone cold but wavering delivery that carries the the straightforward beats along, but they never get old or samey. Being a sound art junky the moments that hit me the most on this album are the more noisy/ sound effect-like, in specific the sample of a humming streetlamp (yeah!) in "Party's Over." A kind of ambient sense not seen in many other (true, street, and un-pretentious) hiphop productions. The best part is that it feels (of course) real and not inserted for the sake of the experimentation of some bloody college students.
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