| We Are All Made Of Stars | 4:33 | X |
| In This World | 4:02 | X |
| In My Heart | 4:36 | X |
| Great Escape | 2:08 | X |
| Signs Of Love | 4:26 | X |
| One Of These Mornings | 3:12 | X |
| Another Woman | 3:56 | X |
| Fireworks | 2:13 | X |
| Extreme Ways | 3:57 | X |
| Jam For The Ladies | 3:21 | X |
| Sunday (The Day Before My Birthday) | 5:09 | X |
| 18 | 4:28 | X |
| Sleep Alone | 4:45 | X |
| At Least We Tried | 4:08 | X |
| Harbour | 6:27 | X |
| Look Back In | 2:20 | X |
| The Rafters | 3:22 | X |
| I'm Not Worried At All | 4:13 | X |
| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| 18 (CD, Album) | Mute Records Ltd. | CDSTUMM202 | Europe | 2002 | |
| 18 (Promo Box Set) (2xCD + Box) | Mute Records Ltd. | BCD STUMM 202 | UK | 2002 | |
| 18 (2xCD) | V2 Records Japan | V2CP 123-124 | Japan | 2002 | |
| 18 (2xLP, Album, Gat) | Mute Records Ltd., PIAS Benelux | STUMM 202, 391.0202.012 | UK | 2002 | |
| 18 (CD) | PIAS Benelux | 391.0202.020 | Benelux | 2002 | |
| 18 (CD) | Everlasting Records (2) | EVERCD 211 | Spain | 2002 | |
| 18 (CD, Album) | V2 Records, Inc. | 63881-27127-2 | US | 2002 | |
| 18 (CD, Album) | Playground Music Scandinavia | CD STUMM 202 | Scandinavia | 2002 | |
| 18 (CD, Album) | Labels, Mute Records Ltd. | 5016025612024, CDSTUMM202 | Europe | 2002 | |
| 18 (CD, Album) | Mute Records Ltd. | CDSTUMM202 | UK | 2002 | |
| 18 (CD, Album) | Mute Records Ltd., PIAS Benelux | CDSTUMM202, 391.0202.020 | Benelux | 2002 | |
| 18 (CD, Album) | Mute Records Ltd. | 2561202 | South America | 2002 | |
| 18 (CD, Promo) | Mute Records Ltd. | ACD STUMM 202 | UK | 2002 | |
| 18 (Cass) | Mute Records Ltd. | C STUMM 202 | UK | 2002 | |
| 18 (CD, Album) | S.B.A./Gala Records | 7243595812 2 4 | Russia |
Also, while Play and Everything Is Wrong are both extremely eclectic pieces of work both in genre and instrumentation, a-sides and b-sides, the songs in 18 and 18: B-sides are way too similar, using a narrow range of instrumentation and even tempo (for the most part the album sounds like a drum machine, a few keyboards, some pre-recorded strings and vocal samples), and honestly, the vocals and vocalists Moby chose for this project just aren't as interesting as in Play. I won't say Gwen Stefani was the best choise either, but neither is Angie Stone.
But still, even if you chose to see it as 'another Moby album', it's pretty good overall, some good material, especially the few instrumentals (though the song 18 sounds suspiciously like the instrumental Everything Is Wrong). And besides, if you don't care for this album much, it's still way better than Last Night.