Oblivion Ensemble – Seraphim Hallucino
Label:
Malignant Records – TumorCD28
Format:
CD, Album
Country:
Released:
Genre:
Style:
Tracklist
| 1 | r (embr)yo u | 2:15 | ||
| 2 | v o I d | 2:01 | ||
| 3 | d is so[Love | 2:02 | ||
| 4 | (for) the dews that drip all over | 1:35 | ||
| 5 | (for) the dews that drip all over | 1:21 | ||
| 6 | (for) the dews that drip all over | 1:56 | ||
| 7 | Eyes(closed; angel | 2:47 | ||
| 8 | .open[ing the darkness of this hole | 1:25 | ||
| 9 | .open[ing the darkness of this hole | 0:52 | ||
| 10 | a prayer of +one, calling | 4:53 | ||
| 11 | U | 1:30 | ||
| 12 | moon; I know | 2:30 | ||
| 13 | lifted, (yo u were near | 0:59 | ||
| 14 | lifted, (yo u were near | 3:01 | ||
| 15 | always) I see y;our murder | 1:45 | ||
| 16 | always) I see y;our murder | 1:44 | ||
| 17 | always) I see y;our murder | 2:01 | ||
| 18 | always) I see y;our murder | 1:38 | ||
| 19 | a drea(m of m)e | 3:03 | ||
| 20 | a drea(m of m)e | 1:38 | ||
| 21 | kis.s in (open) s k in | 3:11 | ||
| 22 | a(waking, her dream[projected on mine | 3:36 | ||
| 23 | i | 0:07 |
Credits
- Artwork – Matthew Vickerstaff
- Guitar, Voice, Electronics – Brannon Hungness
- Keyboards, Voice, Electronics – John Bergstrom
- Percussion – Doug Wallace, Primo Mussumeci
- Trumpet, Electronics – Mark Kirschenmann
- Voice – Rebecca Karpoff
- Written-By, Recorded By – Brannon Hungness, John Bergstrom
Notes
Written & recorded 1995-2006, Rochester, NY; W. Laayette, IN; Dallas, TX.
"Use headphones."
Digipak.
Recommendations
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raison d'être - The Empty Hollow Unfolds (CD, Album)
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Inade - The Crackling Of The Anonymous (CD, Album)
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Megaptera - Staring Back At You (CD, Comp, Ltd)
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Robert Rich & B. Lustmord* - Stalker (CD, Album)
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Inade - Colliding Dimensions (4xCD, Comp + Box)
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Reviews & Discussion
Twenty three tracks of ambient mindscapes. There are some great sounds on this release, well put together. The sleeve notes state that the album was eleven years in the making, with the initial recording beginning in 1995. The use of different instrumentation creates some subtle washes with guitar experimentation to voices, trumpet and electronics. You are advised on the cover to use headphones; this is indeed the best way to listen to this sort of music. The more you listen, the more you hear in the compositions, Oblivion Ensemble do this well.
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