| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Deliverance (CD, Album) | Music For Nations | CDMFN 291 | UK | 2002 | |
| Deliverance (CD, Album) | Koch Records | KOC-CD-8437 | US | 2002 | |
| Deliverance (CD, Album, Ltd, Dig) | Music For Nations | CDMFNX 291 | UK | 2002 | |
| Deliverance (2xLP, Pic, Ltd) | Vinyl Maniacs | VMLP007 | Sweden | 2004 | |
| Deliverance (CD, Album, RE) | Sony BMG Music Entertainment | 82876832732 | Europe | 2006 | |
| Deliverance (2xLP, Album, RE, Gat) | Koch Records | KOC-LP-4576 | Sweden | 2008 |
Listening to the track "Deliverance" we're introduced to a memorable haze that only Opeth can create. It's repeatley dark theme is present even throughout the acoustic tracking, we are consistently hearing this release of cold incendious Opeth. And the obscurity of this album is what helps it drift apart from previous Opeth records. I get the impression from listening to "Wreath" all of the way through to "By the Pain I See In Others" that some sort of plot is developed throughout this entire album - something that all of us cannot put are finger on, something that we cannot simply understand. It's plethora, simply too much. The subplot of course being "Damnation".
Controversial none the less with Opeth fans. And I can tell why - the hair is back up, riffing slightly more rigid, the mix perhaps slightly quieter than expected. However, the rhetoric technicality within this record must be adored, along with it's sparse humane feel, and dare I say - a beautiful mix. This record is definitely not the Opeth I have grown to know, but is certainly the Opeth I can't help but credit.