Panda Bear ‎– Tomboy

Label:
Paw Tracks – PAW36
Format:
CD, Album
Country:
Released:
Genre:
Style:

Tracklist

1 You Can Count On Me 2:33
2 Tomboy 4:55
3 Slow Motion 4:36
4 Surfers Hymn 4:10
5 Last Night At The Jetty 4:40
6 Drone 4:01
7 Alsatian Darn 4:16
8 Scheherazade 3:53
9 Friendship Bracelet 5:54
10 Afterburner 6:50
11 Benfica 4:11

Credits

Notes

Comes in carboard gatefold sleeve with wraparound envelope.

Recorded in Lisbon at Interpress 2010
Mixed in New York at Blanker Unsinn
Mastering at JLM in Brooklyn
All songs Panda Lennox (ASCAP) published by Chrysalis

Barcode and Other Identifiers

  • Barcode: 6 77517 10362 5

Other Versions (Showing 5 of 5) View All

Title, Format Label Cat# Country Year
Tomboy (4xLP + Box) Paw Tracks PAW39 US 2011
Tomboy (LP, Album, Whi) Paw Tracks PAW36 US 2011
Tomboy (LP, Album, Ltd, Cle) Paw Tracks PAW36 US 2011
Tomboy (LP, Ltd, Rec) Paw Tracks PAW36 US 2011
Tomboy (CD, Album) High Note Records HN844CD Taiwan 2011
▸ show all 2 reviews

Reviews & Discussion

YSHF Jul 02, 2011
Got the clear vinyl + T-shirt bundle a week or two after record store day. Plays fine.
Review by CakeAndPasta Apr 11, 2011
Over the last decade Panda Bear has made quite a name for himself in the independent music scene. Successful work both with Animal Collective and solo albums Young Prayer (2004) and critically acclaimed Person Person Pitch (2007) covering Pop, Noise, Ambient and everything in between. With such a prolific background and the hype built around singles from Tomboy, it’s impossible not to have high expectations.

Tomboy opens with the second single released “You Can Count on Me”. This short, heavily layered and laid back song is a great introduction to the album. Typical of Panda’s songs, the lyrics are simple and revolve around his family: this song seemingly about his newborn child. Strong, pounding Hip-Hop/Dub drums work as the base for the following songs “Tomboy” and “Slow Motion”, focused around strong rhythmic guitar strumming and delay-drenched vocals. Tracks like “Surfer’s Hymn” and “Last Night at the Jetty” allow Panda Bear to re-use his famous Beach Boys-esque vocal melodies which (with the lack of multi-tracking) his live bootlegs were deprived from. In the tracks “Drone” and “Scheherazade” Panda Bear manages to work in echoy vocals over the heavy synth and pianos - a trait that is typically left out of drone songs. However the album seems to trail off towards the end with the last few lacking structure and direction. And while “Benfica” is a perfect end to the album, I can’t help but think many listeners will have lost interest by this point.

If you were to look at it as a standard Pop/Rock album it would probably blow most people away, but as Panda’s last album was so ground-breaking this just seems a little weaker.

4/5.

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