Paul Dresher & Ned Rothenberg - Opposites Attract
Label:
Catalog#:
80411-2, 80411-2
Format:
CD, Album
Country:
US
Released:
1991
Genre:
Electronic,
Jazz
Style:
Free Improvisation,
Experimental
Tracklist
| 1 | Orient And Tropic | 11:04 | ||
|
Clarinet [Bass] -
Ned Rothenberg
Drums [High Hat], Electronic Drums [Electronic Percussion] - Gene Reffkin Performer [Octoban Solo In Final Section] - Samm Bennett | ||||
| 2 | The Long Seven | 3:17 | ||
| Cymbal [Cymbals] - Samm Bennett | ||||
| 3 | Yuuniik | 2:30 | ||
| Cymbal [Cymbals] - Samm Bennett | ||||
| The Untold Story | ||||
| 4 | Sidi Infi / Bolero In Straight Jabs | 4:13 | ||
| 5 | The Edge Of Sleep | 3:57 | ||
| 6 | Shriek | 4:10 | ||
| 7 | The Paddling Floes | 7:02 | ||
| 8 | This Endup | 4:15 | ||
| - | ||||
| 9 | Opposites Attack | 5:13 | ||
| Computer [Processing] - Paul Dresher | ||||
| 10 | Skronk | 4:16 | ||
| 11 | Straight Jabs Redux / Finale | 6:07 | ||
Credits
Artwork By [Cover Design, Art] -
Steve Byram
Bass [Acoustic] - Mark Dresser (tracks: 1 to 3)
Bass [Electric Bass Guitar] - Anthony Jackson (tracks: 1 to 8, 11)
Bass [Solo Arco] - Mark Dresser (tracks: 4 to 8)
Drums - Bobby Previte (tracks: 1 to 3) , Samm Bennett (tracks: 4 to 8, 11)
Electronic Drums, Shaker [Shakers] - Samm Bennett (tracks: 4 to 8)
Engineer - Andrew Milano
Engineer [Additonal Recording At Nash Studios] - Laeticia de Compiegne Sonami*
Engineer [Additonal Recording At Radio City Studios] - Don Hunerburg*
Engineer [Assistant] - Joseph Bartoldus , Lance Neal
Executive Producer - Arthur Moorhead
Guitar - Paul Dresher (tracks: 1 to 9, 11)
Loops [Loop System] - Paul Dresher (tracks: 1 to 8)
Music By, Other [Liner Notes] - Ned Rothenberg , Paul Dresher
Producer - Lee Townsend , Ned Rothenberg , Paul Dresher
Sampler [Sampling] - Ned Rothenberg (tracks: 4 to 8, 10) , Paul Dresher (tracks: 1 to 8, 10, 11)
Saxophone [Alto] - Ned Rothenberg (tracks: 2 to 8, 11)
Saxophone [Tenor] - Ned Rothenberg (tracks: 4 to 8)
Sequenced By [Sequencing] - Ned Rothenberg (tracks: 1 to 8, 10) , Paul Dresher (tracks: 2 to 8)
Shakuhachi - Ned Rothenberg (tracks: 1, 4 to 8)
Technician [Tape Loop System] - Paul Dresher , Paul Tydelsky*
Bass [Acoustic] - Mark Dresser (tracks: 1 to 3)
Bass [Electric Bass Guitar] - Anthony Jackson (tracks: 1 to 8, 11)
Bass [Solo Arco] - Mark Dresser (tracks: 4 to 8)
Drums - Bobby Previte (tracks: 1 to 3) , Samm Bennett (tracks: 4 to 8, 11)
Electronic Drums, Shaker [Shakers] - Samm Bennett (tracks: 4 to 8)
Engineer - Andrew Milano
Engineer [Additonal Recording At Nash Studios] - Laeticia de Compiegne Sonami*
Engineer [Additonal Recording At Radio City Studios] - Don Hunerburg*
Engineer [Assistant] - Joseph Bartoldus , Lance Neal
Executive Producer - Arthur Moorhead
Guitar - Paul Dresher (tracks: 1 to 9, 11)
Loops [Loop System] - Paul Dresher (tracks: 1 to 8)
Music By, Other [Liner Notes] - Ned Rothenberg , Paul Dresher
Producer - Lee Townsend , Ned Rothenberg , Paul Dresher
Sampler [Sampling] - Ned Rothenberg (tracks: 4 to 8, 10) , Paul Dresher (tracks: 1 to 8, 10, 11)
Saxophone [Alto] - Ned Rothenberg (tracks: 2 to 8, 11)
Saxophone [Tenor] - Ned Rothenberg (tracks: 4 to 8)
Sequenced By [Sequencing] - Ned Rothenberg (tracks: 1 to 8, 10) , Paul Dresher (tracks: 2 to 8)
Shakuhachi - Ned Rothenberg (tracks: 1, 4 to 8)
Technician [Tape Loop System] - Paul Dresher , Paul Tydelsky*
Notes
Recorded and mixed at Home Base Studios, NYC, July & December, 1990
Additional recording at Radio City Studios, July 1987, and at Nash Studios, Oakland California, June 1987
Tape loops and sample recording at Minmax Studios, Berkeley, California 1986-90
Additional sample recording at Park Place Studio, Brooklyn, New York, 1990
Finished sampling was done with an Akai S1000 Stereo Digital Sampler, some earlier work on Akai S900 and 612 (no synthesizers used)
Sequencing done with C-Lab Notator program
Additional sample editing: Digidesign Sound Tools and Dound Designer
Initial work was made possible by a Nonesuch Commission award from the American Music Center to Paul Dresher
This recording was made possible with grants from the Lila Wallace-Reader's Digest Fund, the Mary Flagler Cary Charitable Trust, and the National Endowment for the Arts
"We would like to thank the contributing musicians for their improvisational and compositional input"
Special thanks to: Kathryn King, Margaret Jenkins, Richard Eisenstein, Mark Helias, Jay Cloidt, Tim Berne, Adam Rudolph, Yale Evelev, Elliott Sharp, Robin Kirck, Lois Ellison, and Jamie Lowerly
AAD
(P)&(C) 1991 Recorded Anthology of American Music, Inc.
Published by Minmax Music (BMI) and Thenro Music (ASCAP)
Printed in USA
Matrix: DIDX-009757 2
Barcode: 0 9322-80411-2 2
Additional recording at Radio City Studios, July 1987, and at Nash Studios, Oakland California, June 1987
Tape loops and sample recording at Minmax Studios, Berkeley, California 1986-90
Additional sample recording at Park Place Studio, Brooklyn, New York, 1990
Finished sampling was done with an Akai S1000 Stereo Digital Sampler, some earlier work on Akai S900 and 612 (no synthesizers used)
Sequencing done with C-Lab Notator program
Additional sample editing: Digidesign Sound Tools and Dound Designer
Initial work was made possible by a Nonesuch Commission award from the American Music Center to Paul Dresher
This recording was made possible with grants from the Lila Wallace-Reader's Digest Fund, the Mary Flagler Cary Charitable Trust, and the National Endowment for the Arts
"We would like to thank the contributing musicians for their improvisational and compositional input"
Special thanks to: Kathryn King, Margaret Jenkins, Richard Eisenstein, Mark Helias, Jay Cloidt, Tim Berne, Adam Rudolph, Yale Evelev, Elliott Sharp, Robin Kirck, Lois Ellison, and Jamie Lowerly
AAD
(P)&(C) 1991 Recorded Anthology of American Music, Inc.
Published by Minmax Music (BMI) and Thenro Music (ASCAP)
Printed in USA
Matrix: DIDX-009757 2
Barcode: 0 9322-80411-2 2
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