| A | We Are Phuture | 8:38 | ||
|
Producer -
Phuture
Remix, Mixed By - Mike "Hitman" Wilson Vocals - Darrel Lewis Written-By - H. Jackson* , N. Jones* | ||||
| B1 | Slam | 5:40 | ||
|
Producer, Mixed By -
D.J. Pierre*
,
Gene Hunt
Written-By - H. Jackson* , N. Jones* | ||||
| B2 | Spank-Spank | 4:58 | ||
| Producer, Mixed By - D.J. Pierre* , Gene Hunt | ||||
Phuture was different from any other act from the Acid House era, indeed. "I wrote the lyrics, like most of the songs", said Pierre again - but they soon realized that the dark, scaring vocals on the beginning should be from Earl 'Spanky' Smith: "Survival's our mission... Traveling through time... You're growing old but we're changing... The right place, we try to find... In space we journey, through endless emissions... As meteor showers, bad weather conditions... The future will survive! The future will stay alive!"
Another amazing aspect of this classic comes from the main vocals from Darrel Lewis, with a more soulful mood, speaking about future, space, technology, and acid: "I see space... fading down on us, The future is growing near...
With rocket ships and laser guns, and acid music can you hear...", bringing a very unique atmosphere to the tune.
These poetry references to spaceships & laser guns, added to very powerful beat lines by Spanky and amazing bass lines & acid lines by Pierre, make this a very essential masterpiece. The bassline drop, very intense, is a formidable moment of it, exactly when the dark vocals from Spanky say "Phuture, Phuture... Phuture Phuture, Phuture(...)" - sampled and included on several cut & paste megamixes and the like.
The (Ph)uture and evolution were the main marks of this group leaded by Earl Smith, DJ Pierre and Herbert Jackson, as shows the quote "The future grows among you, Through the darkness of our time, You cannot turn us back, 'Cause progress is our sign". This was, by the way, the last time that this trio was behind Phuture.
"I didn't even know that this music reached Europe before 1989", claimed Pierre on the same interview, "Or even which labels got the license or the rights to release it outside the U.S.", refering to the German release by ZYX, another huge hit in the other side of the Atlantic. These young kids from Chicago usually stayed apart from the labels negociations, such as this one between Larry Sherman (Trax) and ZYX staff.