| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Meddle (LP, Album, Gat) | Harvest | SHVL 795 | UK | 1971 | |
| Meddle (LP) | Stateside | 8E 062-04 917 | Portugal | 1971 | |
| Meddle (LP) | Harvest | 5C 062-04 917 | Netherlands | 1971 | |
| Meddle (LP) | Harvest | SHVL 795 | Israel | 1971 | |
| Meddle (LP) | EMI-Odeon, S.A. | 1J 064-04.917 | Spain | 1971 | |
| Meddle (LP) | Gong | SLPXL 37345 | Hungary | 1971 | |
| Meddle (LP) | EMI Music (Australia) | SHVL 798 | Australia | 1971 | |
| Meddle (LP, Album) | Harvest | SMAS-832 | US | 1971 | |
| Meddle (LP, Album) | Harvest | SMAS-832 | Canada | 1971 | |
| Meddle (LP, Album) | The Gramophone Company Of India Ltd. | SHVL 795 | India | 1971 | |
| Meddle (LP, Album, Gat) | Harvest, Les Industries Musicales Et Electriques Pathé Marconi | SHVL 795, 2 C 064-04917 | France | 1971 | |
| Meddle (LP, Album, Gat) | Harvest | 1C 072-04 917 | Germany | 1971 | |
| Meddle (LP, Album, Gat) | EMI ITALIANA S.p.A. | 3C 062-04917 | Italy | 1971 | |
| Meddle (LP, Album, Gat) | Harvest, Pathé Marconi EMI | SHVL 795, 2 C 064-04917 | France | 1971 | |
| Meddle (LP, Album, Gat) | Jugoton | LSHV 73019 | Yugoslavia | 1971 | |
| Meddle (LP, Gat) | Harvest | 3C 064-04917 | Italy | 1971 | |
| Meddle (LP, Pic) | Harvest | SHVL 795-P | UK | 1971 | |
| Meddle (LP, Album) | EMI, Harvest | S 5224, SHVL 795 | Argentina | 1972 | |
| Meddle (LP, Album, Gat) | Harvest, EMI Odeon (Brazil) | 31C 064 04917 D | Brazil | 1972 | |
| Meddle (LP, Album, Promo) | Harvest, EMI | S-5224, S 5224 | Argentina | 1972 | |
| Meddle (Cass, Album) | EMI-Odeon, S.A. | 266-1049174 | Spain | 1974 | |
| Meddle (Cass, RE) | Pathé Marconi EMI | 2C 242 04917 | France | 1978 | |
| Meddle (LP, Album, RP, Gat) | Harvest, EMI Music (New Zealand) | SHVL 795 | New Zealand | 1978 | |
| Meddle (CD, Album) | Capitol Records | CDP 7 46034 2 | US | 1984 | |
| Meddle (CD, Album) | Harvest | CDP 7 46034 2 | UK | 1984 | |
| Meddle (CD, Album) | Harvest | CDP 7 46034 2 | Netherlands | 1984 | |
| Meddle (CD, Album) | Capitol Records | CDP 7 46034 2 | US | 1984 | |
| Meddle (CD, RM, 24k) | Mobile Fidelity Sound Lab | UDCD 518 | Japan | 1988 | |
| Meddle (Vinyl, Album) | Mobile Fidelity Sound Lab | MFSL 1-190 | US | 1988 | |
| Meddle (Cass, Album) | Harvest, The Gramophone Company Of India Ltd. | STCS SHVL 795 | India | 1991 | |
| Meddle (CD, Album, RE, RM) | Capitol Records | CDP 0777 7 46034 2 3 | US | 1992 | |
| Meddle (CD, RM, RE, 24k) | Mobile Fidelity Sound Lab | UDCD 518 | US | 1993 | |
| Meddle (CD, Album, RM) | EMI United Kingdom, EMI United Kingdom | 7243 8 29749 2 5, CDEMD 1061 | UK & Europe | 1994 | |
| Meddle (CD) | Toshiba EMI Ltd | TOCP-65738 | Japan | 2001 | |
| Meddle (CD, Album, Dig) | EMI Records | 50999 511105 2 9 | Europe | 2008 | |
| Meddle (CD, Album) | Euroton | EUCD-0022 | Hungary | ||
| Meddle (Cass, Album) | Harvest | TC-SHVL 795 | UK | ||
| Meddle (Cass, Album) | Harvest, Harvest | TCP 2085, 7 46034 4 | Turkey | ||
| Meddle (LP, Album) | Harvest, Harvest, Harvest | 14C 062-04917, 2J 062-04917, SHVL 795 | Greece | ||
| Meddle (LP, Album, RE) | Harvest | 1C 062-04 917 | Germany | ||
| Meddle (LP, Album, RE, Gat) | Harvest, Harvest | SHVL 795, 4(E 064-04917) | Sweden |
referencing Meddle, LP, Album, Gat, SHVL 795
referencing Meddle, LP, 5C 062-04 917
referencing Meddle, CD, Album, RM, 7243 8 29749 2 5, CDEMD 1061
Echoes is about acquiring, losing, and regaining our spiritual connection to the sun (and to each other).
The first lyric passage is about our most ancient ancestors that climbed out of the primordial sea in search of the sun. Something drew them toward the light—a deep understanding that all living things owe their existence to the sun.
The second lyric passage is about the current stage in the evolution of our species. We walk around in a sort of stupor, with eyes cast down. We rarely connect with one another and try to understand why we’re here. When by chance our eyes meet, we begin to realize that we are all the same—all children of the sun. But the realization is fleeting, and we return to our mindless daily routine. Nobody is forcing us to be this way—we have brought this upon ourselves. Man vs. Himself.
Between the second and third passage is the “spiritual storm”. We must wake up and realize the true nature of our being before its too late. Will we survive or perish? ...
The storm passes, and a new day is dawning. We have emerged into the next stage of our evolution. More spiritually aware. More able to connect with each other. We realize the sun is at the very core of our being, and it’s the thing that binds us all together.
The third lyric passage is a dénouement. It’s about waking up that morning after the storm, throwing open the windows and calling out to the sun as if to say, “We are awake now.”