Pink Floyd ‎– The Final Cut

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Tracklist

The Post War Dream 3:02
Your Possible Pasts 4:22
One Of The Few 1:23
The Hero's Return 2:56
The Gunners Dream 5:07
Paranoid Eyes 3:40
Get Your Filthy Hands Off My Desert 1:19
The Fletcher Memorial Home 4:11
Southampton Dock 2:13
The Final Cut 4:46
Not Now John 5:01
Two Suns In The Sunset 5:14

Versions

Title Label Cat# Country Year
The Final Cut (LP, Album) Harvest SHPF 1983 UK 1983
The Final Cut (Cass, Album) Harvest, EMI, Harvest, EMI 1C 264-65 042, 1C 264-65042 Germany 1983
The Final Cut (Cass, Album) Columbia QCT 38243 US 1983
The Final Cut (Cass, Album) Harvest, Harvest TCP 2095, 7 4129 4 Turkey 1983
The Final Cut (LP, Album) CBS 120370 Argentina 1983
The Final Cut (LP, Album) CBS Records Australia SBP 237817 Australia 1983
The Final Cut (LP, Album) Pathé Marconi EMI 2C 070-65042 France 1983
The Final Cut (LP, Album) CBS 13-1668 Colombia 1983
The Final Cut (LP, Album) Columbia QC 38243 US 1983
The Final Cut (LP, Album) CBS/Sony 25 AP 2410 Japan 1983
The Final Cut (LP, Album) Columbia QC 38243 Canada 1983
The Final Cut (LP, Album) Columbia AS 1636 US 1983
The Final Cut (LP, Album) Harvest 1C 064-65 042 Turkey 1983
The Final Cut (LP, Album, Gat) Harvest 10C 072-065 042 Spain 1983
The Final Cut (LP, Album, Gat) Harvest 1C 064-65 042 Europe 1983
The Final Cut (LP, Album, Gat) Discos CBS 230.500 Brazil 1983
The Final Cut (LP, Album, Gat) Harvest, Harvest 2C 070-65 042, 2C 070-65042 France 1983
The Final Cut (LP, Album, Gat) Harvest 3C 064-65 042 Italy 1983
The Final Cut (LP, Album, Gat) Harvest 1C064-65042 Netherlands 1983
The Final Cut (LP, Album, Gat) Harvest 11C 078-65042 Portugal 1983
The Final Cut (LP, Album, Gat) Harvest 14C 064-65042 Greece 1983
The Final Cut (LP, Album, Gat) CBS CLS-5784 Mexico 1983
The Final Cut (LP, Album, Gat) Jugoton LSHV 11030 Yugoslavia 1983
The Final Cut (LP, Album, Gat) Harvest 1C 064-65 042 Germany 1983
The Final Cut (LP, Album, Gat) CBS/Sony 30 AP 2534 Japan 1983
The Final Cut (VHS, PAL, EP) Castle Music CMVG 5015 Germany 1983
The Final Cut (CD, Album) CBS CDCBS 25416 Australia 1985
The Final Cut (CD, Album) CBS CK 38243 US 1985
The Final Cut (CD, Album) CBS CK 38243 US 1985
The Final Cut (CD, Album) Columbia VCK-38243 Canada 1985
The Final Cut (CD, Album, RE) CBS/Sony 32DP 364 Japan 1985
The Final Cut (CD, Album, RE) CBS/Sony 28DP 5010 Japan 1988
The Final Cut (CD, Album, RM) EMI United Kingdom, Harvest, EMI United Kingdom 7243 8 31242 2 0, CDEMD 1070 Italy 1994
The Final Cut (CD, Album, RM, RE) EMI United Kingdom, Harvest, EMI United Kingdom 7243 8 31242 2 0, CDEMD 1070 UK & Europe 1994
The Final Cut (LP, Album, Unofficial) Santa Records П94 RAT 30737 Russia 1994
The Final Cut (MD, Album) Columbia CM 38243 US 1994
The Final Cut (CD, Album, RM) Columbia 489107 2 Australia 1997
The Final Cut (CD, Album, RM) Columbia CK 68517 UK 1997
The Final Cut (Cass, Album) Sony Music Entertainment (India) 038243 4 India 1997
The Final Cut (CD, Album) Columbia 2 25416 Chile 2002
The Final Cut (CD, Album, RE, RM, Pap) Toshiba EMI Ltd TOCP-67407 Japan 2004
The Final Cut (CD, Album, RM) Capitol Records 7243 5 76734 2 6 US 2004
The Final Cut (CD, Album, RM) Harvest 7243 576 7342 6 UK 2004
The Final Cut (CD, Album, Dig) EMI 50999 5111112 0 UK 2008
The Final Cut (CD, Album, RE, RM, Dig) EMI 50999 028956 2 8 Europe 2011
The Final Cut (CD, Album, RE, RM, Gat) EMI TOCP-71144 Japan 2011
The Final Cut (CD, Album) CBS CDCBS 25416 Australia  
The Final Cut (CD, Album) EMI CDP 7 46129 2 Netherlands  
The Final Cut (CD, Album) EMI CDP 7 46129 2 UK  
The Final Cut (CD, Album, RE, RM) S.B.A./GALA Records 50999 6 06861 2 1 Russia  
The Final Cut (Cass, Album, Unofficial) Takt Music 2034 Poland  
The Final Cut (Cass, Album, Unofficial) Stebo S 033 Poland  
The Final Cut (LP, Album, RE) Columbia QC 38243 US  

Recommendations

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Reviews & Discussion

Review by Globe199 Nov 22, 2011 (edited 5 months ago)

referencing The Final Cut, LP, Album, SHPF 1983

The Final Cut is really not a Pink Floyd album; the band name attached to it probably boosted sales tenfold. It's a Waters solo album despite what anybody says. At best David Gilmour is reduced to a session player, and we never hear his voice (though he does get some decent guitar solos).

Certainly this is a record that can be respected in its story and narrative, but is not very enjoyable musically. The bleak subject matter is not helped by Waters's unsettling, howling vocals -- which were used to dramatic effect on The Wall, but are overused here, and sometimes come across as just screaming. The audio dynamics cover too wide a range; it is alternately too quiet and too loud. Some tracks start with nearly indiscernible sound effects, only to blow the listener out of his seat a moment later. This makes for a rather unpleasant listening experience. "Your Possible Pasts" is a particularly extreme example of this. You could easily damage your speakers cranking the soft parts, trying to understand what Waters is singing -- and then the drums and bass come thundering in, scaring the living daylights out of you.

The best songs are the last two. "Not Now John" is the only upbeat track. It was obviously made for the radio, and it's somewhat out of place in the context of the album. "Two Suns in the Sunset" is mostly a very good track, with its pleasant guitar lines (reminiscent of "Wish You Were Here") and haunting lyrics and Cold War imagery. But the middle section with Waters screaming again is terrible, so I took my CD and edited it out, making a seamless transition from the first chorus to the next proper verse. Now it's a great track. The sax solo should have been a breath of fresh air, but it's too loud and wailing. I also enjoy "The Hero's Return," a track that resembles some of the better moments on The Wall.

The Wall hinted at how Waters would operate on his own, but that album was totally developed into a thrilling musical statement. Here we see what he does all by himself: rigid, poetic, preachy, lyrically strong, but musically very weak. As a result, his subsequent solo albums were forgettable.

The inclusion of the awesome "When the Tigers Broke Free" on the remaster is still weird to me since it played a part in The Wall film. This outstanding track is so, so far from even resembling Pink Floyd, yet is still an incredible work. I would have put it at the end as a bonus, clearly indicating that it was not part of The Final Cut. The sheer breadth of music that falls under the Pink Floyd name is staggering; there's this track at one far end of a 3D spectrum, with tracks like "Bike" at another end, and "Shine On" occupying further, opposite dimensions.
BROOKLYNBOY303 Oct 21, 2011

referencing The Final Cut, LP, Album, SHPF 1983

this has to be one of the most underated album by pink floyd fans and tribute bands. this album could bring a tear to glass eye with all it darkness & beauty. this album is amazing album.
Review by Greg_Reason Oct 13, 2011 (edited 7 months ago)

referencing The Final Cut, LP, Album, SHPF 1983

Heartbreaking and wounded, The Final Cut is by no means a casual affair. Roger Waters' manic emoting makes for an almost excruciating listen at times, his damaged cries allowing a direct conduit to the psychological scarring he had collected since childhood. The death of his father in the second World War had inspired numerous prior Pink Floyd works but none so blatantly traumatized as this. Even the notoriously harrowing double LP The Wall never touched so tender a nerve, and despite several of these tracks originating from those sessions this strangely does not feel like a sequel. Michael Kamen's lavish orchestrations largely replace The Wall's rock bombast and the lyrical metaphors are replaced by bitterly cynical political satire and unnervingly vulnerable exorcism of very personal demons. This considered, it's understandable that some regard this as a Waters solo album but the sublime guitar solos from Gilmour set this on a higher shelf, particularly the stunning lead break of the title track. Despite Gilmour's complaints, this album is an absolute masterpiece and the last true work of significance from Pink Floyd.
zacharybinx86 Oct 06, 2010

referencing The Final Cut, LP, Album, SHPF 1983

Great Album! Roger Waters Pink Floyd's Swan Song.

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