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Shortcut Code: [r2258]
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4.54 / 5 (503 votes)
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Plastikman - Spastik

Plastikman - Spastik

Label:
Catalog#:
12 NoMu 28
Format:
Vinyl, 12", 33 ⅓ RPM
Country:
UK
Released:
04 Oct 1993
Genre:
Electronic
Style:
Techno

Tracklist

A1   Spastik
    Other [With Assistance From] - Rob And His Beagle
AA1   Helicopter
AA2   Gak (Remix)

Credits

Mastered By - Nilz.*
Music By - Richie Hawtin

Notes

℗ & © 1993 Mute Records Ltd
Licensed from Plus 8 Records
Published by Plus 8 Music / Nanada
Made in Great Britain
Barcode: 5 016025 280896

AA1 taken from the forthcoming double LP / CD on Novamute "Sheet One".

Run-out groove etchings:
A-side: 12 NOMU 28-A2 // PR-m // EE (mirrored) // THE EXCHANGE -NILZ.
AA-side: 12 NOMU 28-AA2 // THE EXCHANGE -NILZ. // PR-m // P2 // J (upside down)


Re-released in 2003 with generic black labels w/ white text.

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Reviews & Discussion

Rated 5/5
Review by jazzliscious Oct 29, 2004 (edited over 5 years ago)
There was a relatively short time in the realm of techno music where tracks were built on drums and drums only. I have a few examples of these rare "strictly rhythm" tracks and this is one of them - "Spastik" that is. And God is it ever cool! Richie Hawtin legitimately can claim some rights to being called the pioneering innovator of many of techno's innovations. In "Spastik" he used a trick that became horribly over-used later in the evolution of techno but he seemed to do it first (that I heard anyway). The trick is the reverent "mid-range sweep". During the recording of the track (or possibly the remix or mix-down?)he slowly manipulates the "sweepable mids" on his mixer which makes the sound thus "tweeked", which was at one time the backbone of techno. It's also something that seems to have largely disappeared from techno music production. But there it was back in '93 - the "tweeked drums" of Richie Hawtin as Plastikman. Not only was that trick employed but Richie's creative use of composition - building in this case - made for a track that had new tricks around each corner of the track. Were you really ready for that POUNDING 808 kick drum that suddenly comes in after four or five minutes? It will make listeners take notice. I have proceeded to scratch the surface of the tangibles that make "Spastik" so great, but lest we forget the intangibles, the stuff I can't explain - why it's just a great track! Richie was genuinely talented at composition and had a great sense of how to logically construct a track from front to back and keep it interesting. I've said things about Richie in other reviews that may have some of you thinking I'm hypocritical but I assure you - I give Richie the highest props as to his genuine talent and my negative words (as some of you would understand them) relate more to listeners of Richie unfairly and unfoundedly deifying him to unjustly Godly levels and he's not that immensely cool. He's just another talented techno musician that made the genre fun to listen to back in the early '90s. This record showcases some of those talents. Check it out.