Pole ‎– R

~scape ‎– ~scape 009 cd, ~scape ‎– ~scape 009
CD, Album

Tracklist Hide Credits

1 Raum 1 Variation 5:08
2 Raum 2 Variation 6:03
3 Raum 3 4:46
4 Raum 4 5:11
5 Raum 1 Variation (Burnt Friedman)
Remix – Burnt Friedman*
6 Raum 2 Variation (Burnt Friedman)
Remix – Burnt Friedman*
7 Raum 1 Original 7:32
8 Raum 2 Original 6:15
9 Raum 1 Variation (Kit Clayton)
Remix – Kit Clayton
10 Raum 2 Variation (Kit Clayton)
Remix – Kit Clayton

Companies, etc.



℗ ~scape 2001 © Betke Edition / BMG Ufa.
Made in EU.
Released in a standard Digipak.

Raum 1 & Raum 2 originally released on DIN 1998.

Barcode and Other Identifiers

  • Barcode: 718752710923
  • Matrix / Runout: A0100371708-0101 13 A1 Sony DADC
  • Mastering SID Code: IFPI L553
  • Mould SID Code (Variant 1): IFPI 94Z6
  • Mould SID Code (Variant 2): IFPI 94V2
  • Label Code: LC 10562

Other Versions (5 of 5) View All

Cat# Artist Title (Format) Label Cat# Country Year
009 Pole R(2xLP, Album) ~scape 009 Europe 2001 Sell This Version
sc 009 Pole R(2x12", EP, Ltd, tra) ~scape sc 009 Germany 2001 Sell This Version
~scape009 Pole R(CD, Album, Promo) ~scape ~scape009 Germany 2001 Sell This Version
sc 009, EFA 27109-6 Pole R(2xLP, Album, W/Lbl, Promo) ~scape, EFA sc 009, EFA 27109-6 Europe 2001 Sell This Version
sc 009 Pole R(12", W/Lbl, Promo, Smplr) ~scape sc 009 Europe 2001 Sell This Version

Reviews Show All 2 Reviews

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May 22, 2003

R is the new album by Berlin-based producer and ~scape founder Stefan
Betke aka Pole. And, at the same time, it isn¦t. Central to the album are
'Raum 1' and 'Raum 2', two tracks produced in late 1996 and released by
DIN in 1998. Around this backbone, this source of inspiration, all other
tracks are clustered formally re-workings by Burt Friedman, Kit Clayton
and Pole, but really totally new pieces, all of them. The recording
process resulted in two further tracks, 'Raum 3' and 'Raum 4', expanding
on those variations, while the CD-version of R contains the original
versions of 'Raum 1' and 'Raum 2'.
R = Rework 'A Pole remix album', you might think. But R stands for 'rework', a far more expansive process. Initially, Burnt Friedman had planned to work on the two original 'Raum'-tracks, shortly before Betke founded ~scape. This turned out to be quite a lengthy affair and inspired Pole to try his own hand at the old material. What was initially intended as a 12' EP quickly turned into a fully-fledged album with Kit Clayton¦s contribution and four new tracks by Pole, all centred around the idea of room and space. While the original of 'Raum 1' remains a rather dark, dubby, glitchy affair, 'Raum 2' happily grooves alongside domineering echoes and pulsating sounds with an almost playful edge attributes not usually mentioned in the same breath as Pole. In his new version Stefan Betke substantially lightens up 'Raum 1' and changes its rhythm. 'Raum 2', on the other hand, he magically transformed into a dubby, groovy sound collage. Burnt Friedman contrasts the detailed, synthetic sound affairs with jazzy elements and combines abstract electronica with seductive harmonies. Kit Clayton, on the other hand, singles out the groove component, pushes it to the forefront and almost manages to create a secret dancefloor hit. Naturally, this approach remains far removed from conventional Techno stompers, as Clayton focusses on the actual deconstruction of beats and then juxtaposes them with his distinctive sounds. At the same time, all 'reworkers' studied the source material, entered into an intense relationship, re-modelled it and thereby transformed the tracks into something decidedly unique. R = Redefine R is also Pole¦s first collaboration with another artist his versions of 'Raum 1', 'Raum 2', 'Raum 3' and 'Raum 4' were recorded with D. Meteo (Submission) on guitar. 'It wasn`t easy' says Betke, nevertheless emphasising the new horizons the collaboration has opened up, mentioning the 'freedom' he has gained, contrasted by initial thoughts of 'compromise' or 'restraint' that often occur when a solo artist decides to work with other musicians. But Pole now cherishes the additional creative potential to be reaped from collaborative production and bilateral feedback. This influx of new ideas as well as the input by Burnt Friedman and Kit Clayton turn R into an extraordinary journey through sound.


August 16, 2002

More minimal dub from Pole, but this time, older and remixed tracks. Frankly, by R, the Pole sound is getting to be redundant. It's beautiful and warm and uniquiely Pole, but it doesn't seem to be moving in any direction other than a circle. Still, it's a lovely album.