Rebel MC, Double Trouble - Twenty One Mixes

Label:
Catalog#:
LUV 4, LUV LP 4, 841 894-1
Format:
2 x Vinyl, LP
Country:
UK
Released:
1989
Genre:
Electronic, Hip Hop
Style:
House, Hip-House

Tracklist

A1   Just Keep Rockin (Sk'ouse Radio Mix) 3:14
A2   Just Keep Rockin (Hiphouse Mix) 5:00
A3   Just Keep Rockin (DMC Mix) 6:00
A4   Just Keep Rockin (Sk'ouse Remix) 5:39
A5   Just Keep Rockin (Hiphouse Dub) 3:22
B1   Just Keep Rockin (Hiphouse Radio Mix) 3:25
B2   Just Keep Rockin (Sk'ouse Mix) 4:55
B3   Just Keep Rockin (Robin Albers Mix) 5:16
    Mixed By - Robin Albers
B4   Just Keep Rockin (Hiphouse Remix) 5:22
B5   Just Keep Rockin (Sk'ouse Dub) 2:52
C1   Street Tuff (Scar Radio Mix) 3:28
C2   Street Tuff (Club Mix 12") 5:03
C3   Street Tuff (Norman Cook Mix) 5:26
    Mixed By - Norman Cook
C4   Street Tuff (Robin Albers Mix) 5:40
    Mixed By - Robin Albers
C5   Street Tuff (Bass Heavy Mix) 5:45
D1   Street Tuff (Club Radio Mix) 3:27
D2   Street Tuff (Scar 12" Mix) 4:58
D3   Street Tuff (Ruff Mix) 4:20
D4   Street Tuff (Longsy D Mix) 5:20
    Mixed By - Longsy D
D5   Street Tuff (Norman Cook Instrumental Mix) 5:11
    Mixed By - Norman Cook
D6   Street Tuff (Time To Rock - The Trouble Dub) 3:13

Credits

Producer, Mixed By, Edited By - Double Trouble , Rebel MC

Notes

Cat#s: sleeve=LUV LP 4, 841 894-1, centre labels=LUV 4.
Original sound recording made by Desire Records.
Published by Fiction Songs Ltd.
©℗ 1989 Desire Records
Pacific Distribution
LC 9088
Bar Code: 5 017693 129043

Etchings:
A: LUV LP-4 A-1 MT
B: LUV LP-4 B-1 MT LYN 24854
C: LUV LP-4 C-1 MT
D: LUV LP-4 D-1 MT

Recommendations

▸ show all 2 reviews

Reviews & Discussion

Rated 5/5
Review by Jairinho Jul 14, 2003
In the early's 80 a Remix meant an extended, dance-friendly version of a pop song. Remixing involved hiring a famous DJ like Shep Pettibone or Francois Kervokian to apply their knowledge to the task of adjustinga song to fit dancefloor requirements, given that records originally mixed for radio or domestic hi-fi sound systems tinny compared to records designed for club sound systems. This example above is not what you're saying: "The end of originality". DJ's are responsible for the rebirth of many artists. In this case (it still happens nowadays) DJ's are called to transform a song. This is basic into the DJ culture. If you don't understand that, you are in wrong place.
Review by Chris_McAvoy Jul 08, 2003
It was 1989 and the "let's make a rap mix for the rap people and a rock mix for the rock people and every other style too" idea that would plague the 90's begins at this time..the end of originality nears.
greed is not good.
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Release

Shortcut Code: [r101318]
Data Quality Rating: Correct

Ratings

3.67 / 5 (15 votes)
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