Masterpiece, from beginning to end. Produced like a pop album, the music is bursting with originality and sensuality. Sakamoto is in total control of composition, tone colour and mix, without sacrificing anything to spontaneity. Most early eighties electronic pop music will bore the shit out of anybody listening to it now, but that won't be the case with B-2 Unit soon. Lots of non-harmonic content and obscured time signatures still effortlessly in balance with harmony and structure.
The pieces range from an almost-poppy ballad to idm-ish to abstract poly-rhythmic breaks, adding up to a greater whole, that is this album.