Side A: 140 bpm. Run-out: "National (NSC) Sound Mastering. Sound Enterprises, Wayne MI, USA.".
Side B1: 135 bpm.
Side B2: 148 bpm.
Track titles and positions are engraved in Side B run-out.
Side A plays in reverse.
Review by the_electricianMar 31, 2005(edited over 4 years ago)
Funny how someone who hates a record this much would take the time and effort to submit it, but there you go. In my opinion this is actually an amazing and brilliant piece of Techno (side A), coupled with a pair of contrasting Ambient/Minimal studies. B1 has a feeling of vertigo in the swirling warping synth, whereas B2 is like playing blind man's bluff with time and space, sounds come at you from all directions. I've found these tracks go really well with harder Techno as a kind of accapella layer. The production is flawless.
What an ugly record.
One side is a stupid stomper with a headless modulating acid-hook, wich sounds rather randomly generated or coming into life by a sequencer fallen from the table...
On the other side it's the same: without intention, idea, feeling, purpose, AND without a beat.