More modern 60s power pop from Saint Etienne on their single THE BAD PHOTOGRAPHER. "Hit the Brakes" combines a fuzz guitar with occasional bursts of noise (the eponymous brakes, I assume), while "Swim Swan Swim" is a perfectly cheery instrumental. But the final track, "Madeleine," is the one that takes the cake, a delicate track in 3/4 time. As tender and fragrant as fabric softener.

Saint Etienne’s remixers for THE BAD PHOTOGRAPHER don’t touch the title track, but instead take on phantom tracks that don’t appear elsewhere. Kid Loco takes “4:35 in the Morning” further into deliciously mellow downtempo territory, even as horns come in the background, while the Bronx Dogs go thick and dark on “Foto Stat.” Add N to (X) remake the cheekily titled "Uri Geller Bent My Boyfriend" into an abstract digital wonderland, with a sudden crash of rhythm towards the middle.