Scotchman, The ‎– Happy Vibes

Label:
Babyboom Records – BABY 002
Format:
Vinyl, 12", 45 RPM
Country:
Released:
Genre:
Style:

Tracklist

A Happy Vibes 4:05
B1 Terror Breed 4:37
B2 Self Destruct 4:38

Credits

  • Artwork By [Concept & Design] – M.A.C., Upfront
  • Producer, Programmed By, Sequenced ByScott Brown

Notes

Programmed, sequenced and produced at the Interactive Recording Studio, Glasgow.
Published by Combined Forces.
Distributed by: Midtown - Rotterdam
Marketed by: Combined Forces
Made in Holland

Other Versions (Showing 1 of 1) View All

Title, Format Label Cat# Country Year
Happy Vibes (Remix) (Acetate, 10", S/Sided) Not On Label none UK 1995
▸ show all 3 reviews

Reviews & Discussion

Review by gonow Oct 11, 2009
The Scotchman - Happy Vibes is what its all about & it sums up what bouncy techno is all about, it also shows that Scotland & Holland had similar tastes as its a scottish produced tune on a dutch label. There is also a remix that Scott Brown played a few times on dubplate, however it never got released. Every release on Babyboom Records is amazing, however this one is the best imo & it got plays from happy hardcore & gabber DJs alike from DJ Vibes & DJ Dream to Brisk & Clarkee & all of you Kinetic & Rez heads will remember this one!
Review by 2Styliztik Jul 04, 2009
Happy Vibes is one of THE best Happy Hardcore tracks ever made. This was made during a Golden Era of Happy Hardcore/Bouncy Techno and Scott Brown was the king, or at least a Scottish prince! At this point in time Scott could do no wrong, and Happy Vibes is proof. The kick drum is not too distorted and not soft, just right in my opinion. Oh and THAT melody! The main melody in this track is fantastic, it definitely gives me happy vibes! Another example of Happy Hardcore with no cheese, an absolute classic!
Review by chewi May 01, 2007 (edited over 5 years ago)
One of the songs associated with the start of 'bouncy techno' A-side is just as it says and gives you happy vibes, the song starts off with a good quality bassdrum which is perfectly applicable to the genre, it then goes into a classic tune and just gets better and better as it goes on.
Both B-side songs are quite dark and hard although very very good they should have been put on the Dwarf label and he should have done remixes of Happy Vibes.

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