| A1 | Ebeneezer Goode (Club Vocal) | 6:15 | ||
| Remix, Producer - Manda G.* , P.C. Nervous* | ||||
| A2 | Ebeneezer Goode (Shamen Vocal) | 4:31 | ||
|
Engineer -
James Reynolds
Remix - Shamen, The | ||||
| A3 | Ebeneezer Goode (Jolly Roger Instrumental) | 5:09 | ||
| Remix - Eddie Richards | ||||
| B1 | Ebeneezer Goode (South Of Detroit Vocal) | 4:33 | ||
| Remix - Richie Hawtin | ||||
| B2 | Ebeneezer Goode (MBM Instrumental) | 6:05 | ||
| Remix - Jack Dangers | ||||
| B3 | Ebeneezer Goode (Shamen Dub) | 4:38 | ||
|
Engineer -
James Reynolds
Remix - Shamen, The | ||||
Runout groove reads: "Mike'S-The Exchange" "MPO"
Remix credits on label are correct, remix credits on cover are not in correct order.
Often blamed for being the final nail in the coffin of the “serious” rave scene, I think "Ebeneezer Goode" is a fantastic pop moment and a definite cultural event - a point where a nation had to face the fact that a significant portion of its population were not only using large quantities of illegal substances, but were thoroughly enjoying themselves and laughing in the face of the establishment while doing so. It was also a great modern sounding techno pop song and catchy as Chlamydia. It wouldn’t have worked if it hadn’t been - to be truly subversive, you have to infiltrate the mainstream. The Small Faces had done a similar thing with "Here comes the Nice" and “Itchycoo Park” back in 1967.
Of course the Shamen argued that it wasn’t about drugs - almost as hilarious as the song itself. But they somehow managed to avoid a BBC ban and it went to the top of the UK charts. What many forget is that the Shamen actually deleted this themselves, possibly fearing that their credibility was suffering. By then though, the damage was done.
Prior to Ebeneezer, the Shamen were considered THE FUTURE by many: A new techno psychedelia with a new enlightened philosophy, based on advocating the widespread use of Ecstasy, believing it would bring increased insight, empathy and understanding to an increasingly materialistic and selfish world: An update of the 13th Floor Elevators acid philosophy of 1966/7, but this time with a drug that didn’t send you mental. After this release, they were seen as a joke by just about everyone. I remember arguing with friends of mine who had accompanied me to the Hacienda to see them before Ebeneezer was released. They were horrified by the song, feeling that it was a betrayal of their underground ideals. I had always found the Shamen to be a little po-faced and preachy, whether they were talking politics or drugs, but this showed that they at least had a sense of humour.