| Spellbound | |||
| Into The Light | |||
| Arabian Knights | |||
| Halloween | |||
| Monitor | |||
| Night Shift | |||
| Sin In My Heart | |||
| Head Cut | |||
| Voodoo Dolly |
| Title | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Juju (LP, Album) | Polydor | POLS 1034 | UK | 1981 | |
| Juju (Cass, Album) | Polydor | POLSC 1034 | UK | 1981 | |
| Juju (Cass, Album) | PVC Records | PVCC 8903 | US | 1981 | |
| Juju (Cass, Album) | Geffen Records | M5G 24050 | US | 1981 | |
| Juju (LP, Album) | Polydor K.K. | 28MM 0052 | Japan | 1981 | |
| Juju (LP, Album) | Polydor, Polydor | 2383 610, 3170 610 | Greece | 1981 | |
| Juju (LP, Album) | Polydor | 24 42 190 | Spain | 1981 | |
| Juju (LP, Album) | Polydor, Polygram Dischi S.p.A. | 2383 610 | Italy | 1981 | |
| Juju (LP, Album) | Polydor | 2383 610 | New Zealand | 1981 | |
| Juju (LP, Album) | Polydor, Polydor | 2383 610, 3170 610 | Germany | 1981 | |
| Juju (LP, Album) | Polydor | 2383 610 | Scandinavia | 1981 | |
| Juju (LP, Album) | PVC Records | PVC 8903 | US | 1981 | |
| Juju (LP, Album) | Polydor | 2442 190 | Netherlands | 1981 | |
| Juju (LP, Album) | Polydor | 2383 610 | Australia | 1981 | |
| Juju (LP, Album) | Polydor | 2442 190 | France | 1981 | |
| Juju (LP, Album) | Geffen Records | GHS 24050 | US | 1981 | |
| Juju (LP, Album) | Polydor | PDS-1-6311 | Canada | 1981 | |
| Juju (LP, Album, Ltd + 7", Single) | PVC Records, PVC Records | PVC 8903, PVC 1001 | US | 1981 | |
| Juju (CD, Album) | Polydor | 839 005-2 | UK & Europe | 1989 | |
| Juju (CD, Album, RE) | Polydor | POCP-2065 | Japan | 1991 | |
| Juju (CD, Album) | Geffen Records | GEFD-24050 | US | 1992 | |
| Juju (CD, Album, RE, RM) | Polydor | UICY-93059 | Japan | 2006 | |
| Juju (CD, Album, RM, Dig) | Polydor | 983 691-4 | Europe | 2006 | |
| Juju (CD, Album, RM, RE) | Polydor | 984 351-2 | Europe | 2006 | |
| Juju (LP, Album) | Polydor, Polydor | POLD 5155, 2383 610 | UK |
Disclaimer: Videos may not match exact release
I first saw the video for "Spellbound" on MTV and ran out to get the album. So I put it on, get my "Spellbound" fix, but lo and behold, the 2nd song is great too, and so on through Track 4.
I don't know how Steven Severin gets these sounds out of a guitar, but I'm in rapture when I hear him play. Beautiful chords, cool distortion effects -- he's got it all. The best is "Halloween," where he plays a sequence of chords like a scale against a drone chord, giving it almost an Indian or Arab feel.
But then, after Track 4 the album suddenly dies. Gone is all the cool guitar work, the melodies are boring and repetitive -- I can't listen to it. Nowadays I listen to Tracks 1-4 and then shut it off.
How can one album be such a mix of extremes? I wonder if this started out as a 4-track EP, which record execs then demanded be extended out to a full-length LP so they could get people to cough up more dough for it.
In any case, it's more than worth it for Tracks 1-4.