Sly & Robbie - Sly And Robbie's Taxi Sound - Marking 30 Years Of Taxi Records
Label:
Catalog#:
LUXXCD 010
Format:
CD
Country:
UK
Released:
Apr 2005
Genre:
Reggae
Style:
Reggae
Tracklist
| 1 | Devil's Pickney | 4:51 | ||
| Featuring - Sugar Minott | ||||
| 2 | World-A-Music | 5:50 | ||
| Featuring - Ini Kamoze | ||||
| 3 | Rub A Dub | 4:29 | ||
| Featuring - Sugar Minott | ||||
| 4 | Smiling Faces Sometimes (Extended Mix) | 8:01 | ||
| Featuring - Tamlins, The | ||||
| 5 | Billie Jean | 4:57 | ||
| Featuring - Taxi Gang, The | ||||
| 6 | My Woman's Love | 3:27 | ||
| Featuring - Jimmy Riley | ||||
| 7 | Let Him Go | 3:50 | ||
| Featuring - Black Uhuru | ||||
| 8 | Revolution (Extended Mix) | 6:26 | ||
| Featuring - Dennis Brown | ||||
| 9 | Motherless Children | 5:59 | ||
| Featuring - Gregory Isaacs | ||||
| 10 | Heart Made Of Stone | 3:02 | ||
| Featuring - Viceroys, The | ||||
| 11 | Drunken Master | 3:39 | ||
| Featuring - General Echo | ||||
| 12 | Fort Augustus | 3:30 | ||
| Featuring - Junior Delgado | ||||
| 13 | Going Down Town | 5:15 | ||
| Featuring - Gregory Isaacs | ||||
| 14 | Baltimore (Extended Mix) | 8:03 | ||
| Featuring - Tamlins, The | ||||
Credits
Engineer -
Ernest Hookim
,
Maxie*
,
Paul "Groucho" Smykle
,
Soldgie
,
Steven Stanley
Guitar - Bertram "Ranchie" McLean , Mikey Chung , Radcliffe "Dougie" Bryan , Willie Lindo
Keyboards - Ansel Collins , Keith Sterling , Robbie Lyn
Mastered By - Graham Durham*
Percussion - Sky Juice , Uzziah Thompson*
Saxophone - Dean Frazer
Trombone - Nambo Robinson*
Trumpet - David Madden , Junior "Chico" Chin
Guitar - Bertram "Ranchie" McLean , Mikey Chung , Radcliffe "Dougie" Bryan , Willie Lindo
Keyboards - Ansel Collins , Keith Sterling , Robbie Lyn
Mastered By - Graham Durham*
Percussion - Sky Juice , Uzziah Thompson*
Saxophone - Dean Frazer
Trombone - Nambo Robinson*
Trumpet - David Madden , Junior "Chico" Chin
Notes
Studios: Channel One, Compass Point and the Fallout Shelter.
Mastering by Graham Durham at The Exchange, London.
A note on sound restoration: Due to the age and condition of the original source material, there is a certain amount of evident surface and tape noise on some of the tracks. We made a conscious decision not to attempt to digitally remove such minor sonic imperfections, as this would have resulted in a serious reduction in warmth and audio dynamics. The whole album was effectively mastered with valve stages and analogue tape, without the use of computers or other digital technology, resulting, we feel, in a superior sound that is closest to what the producers and artists originally intended.
Mastering by Graham Durham at The Exchange, London.
A note on sound restoration: Due to the age and condition of the original source material, there is a certain amount of evident surface and tape noise on some of the tracks. We made a conscious decision not to attempt to digitally remove such minor sonic imperfections, as this would have resulted in a serious reduction in warmth and audio dynamics. The whole album was effectively mastered with valve stages and analogue tape, without the use of computers or other digital technology, resulting, we feel, in a superior sound that is closest to what the producers and artists originally intended.