Son Of Noise - Access Denied. Bullsh*t & Politics Pt. 1
Label:
Catalog#:
IRS 964.563, COM 0010-215-1
Format:
2 x Vinyl, LP
Country:
Germany
Released:
1995
Genre:
Hip Hop
Style:
Conscious
Tracklist
| A1 | Sons Of The Noise | |||
| A2 | Young Offender | |||
| A3 | Crazy Mad Flow | |||
| A4 | Cherokee Outlaw | |||
| A5 | Family | |||
| Vocals - G.I.G.O. | ||||
| B1 | Here The Cop | |||
| B2 | Pedro's Return | |||
| B3 | Keep It Goin Pt.2 | |||
| Featuring - Jaz (2) , Scientists Of Sound , Trell , X-Large (2) | ||||
| C1 | Down With The Son Of Noise | |||
| Featuring - Brooklyn (5) | ||||
| C2 | Ad Astra | |||
| C3 | White Trash | |||
| Vocals - Lorna Barnett | ||||
| C4 | A+Rse Hole | |||
| C5 | Crazy Mad Flow | |||
| D1 | Scratch It At Your Own Risk | |||
| Scratches - Big Ted , DJ Renegade (3) , Mada (2) , Shortee Blitz , Son | ||||
| D2 | Pressure | |||
| Featuring - Sanjaye | ||||
| D3 | Here The Cop (Ill Justice Mix) | |||
| D4 | The Trouble With The Industry | |||
| Vocals - Paul Ryan (3) | ||||
Credits
Notes
Licenced from Tribehaus Recordings
Recorded & mixed @ Toto Studios, Brixton
"This album has been made as a direct response to the record companies attitudes towards black artists in this country.
We are not just attacking majors but independents who continue to exploit artists and then scream they're only independent we'd rather be exploited on a major, at least we get money in your pockets.
We are not going to bore with my who's and why's but I will just say that if we don't learn to control our music, not just rap but the whole black British experience we will always get crumbs. We mustn't envy succes but embrace it.
This whole industrie is run on pounds and no sense."
Recorded & mixed @ Toto Studios, Brixton
"This album has been made as a direct response to the record companies attitudes towards black artists in this country.
We are not just attacking majors but independents who continue to exploit artists and then scream they're only independent we'd rather be exploited on a major, at least we get money in your pockets.
We are not going to bore with my who's and why's but I will just say that if we don't learn to control our music, not just rap but the whole black British experience we will always get crumbs. We mustn't envy succes but embrace it.
This whole industrie is run on pounds and no sense."
