| A1 | Intro (Here Is A Man Who Sat Down) | |||
| A2 | Anyone Who Names A Track "So & So Can Kiss My Such & Such Ass" Can Kiss My (Adjective) (Noun) Ass. | |||
| A3 | If I Would Have Opened W/ A Noise Track Everyone Would Think I'm Tough, Right? | |||
| A4 | I Cant Wait Till This Road Turns To Two Lanes So I Can Pass This Stupid Fucker. | |||
| A5 | I Cant Believe I Ate You Out. | |||
| A6 | Intro/Sample/Build/Sample/Breaks/Effects/Sample/Slowerbreaks/Sample/End | |||
| B1 | Intro/Two (The Days Go On And On) | |||
| B2 | I'm Sick & Tired Of Acting Even Remotely Interested In What You're Talking About. | |||
| B3 | Really Harsh Noisy Breaks Don't Cover Up For Lack Of Talent, Or Do They? | |||
| B4 | There Is No Selling Out If You Never Bought In. | |||
| B5 | All The Baggy Pants In The World Wont Change The Fact That You're One Ugly Bitch. | |||
| B6 | You'll Be There For Me When It's Convenient For You. |
If deep house had an exact opposite, this would be it.