| 1 | Aghartha | 17:34 | ||
|
Arranged By [Acoustic] -
Randall Dunn
,
Stephen O'Malley
Bass Guitar - Greg Anderson Clarinet - Hans Teuber Conch [Dung Chen, Conch Shell] - Steve Moore (5) , Stuart Dempster Conch [Shell] - Julian Priester Double Bass - Keith Lowe , Tim Smollens Electric Guitar - Stephen O'Malley Electronics [Electric Guitar Effects & Oscillator] - Oren Ambarchi Engineer - Mell Dettmer , Randall Dunn Engineer [Assistant] - Floyd Reitsma English Horn - Taina Karr French Horn - Josiah Boothby Performer [Hydrophone] - Mell Dettmer Piano - Eric Walton Viola - Eyvind Kang Violin - Timb Harris Voice - Attila Csihar Written By - O'Malley/Anderson/Csihar | ||||
| 2 | Big Church [megszentségteleníthetetlenségeskedéseitekért] | 9:43 | ||
|
Arranged By [Choir, Brass & String] -
Eyvind Kang
,
Jessika Kenney
Bells [Tubular] - Mell Dettmer Choir [Alto] - Angela Kiemayer , Jutta Sierlinger , Verena Bodem Choir [Soprano/alto] - Katharina Einsiedl , Loma Döring , Stephanie Pfeffer Electric Guitar - Dylan Carlson , Greg Anderson , Oren Ambarchi , Stephen O'Malley Engineer - Armin Steiner , Dominick Hummer , Mell Dettmer , Randall Dunn Engineer [Assistant] - Mark Clem Synthesizer [Korg Ms20] - Rex Ritter Trombone, Organ - Steve Moore (5) Trumpet - Cuong Vu Viola - Eyvind Kang Vocals [Lead Soprano/alto] - Jessika Kenney Voice - Attila Csihar Written By - O'Malley/Anderson/Csihar | ||||
| 3 | Hunting&Gathering (Cydonia) | 10:02 | ||
|
Arranged By [Brass] -
Steve Moore (5)
Bass Drum [Concert], Percussion - Brad Mowen Choir [Man] - William Herzog* , Brad Mowen , Daniel Menche , Joe Preston Electric Guitar - Oren Ambarchi , Stephen O'Malley Electric Guitar, Bass Guitar - Greg Anderson Engineer - Mell Dettmer , Randall Dunn Gong - Oren Ambarchi Performer [Wolf Log] - Oren Ambarchi Synthesizer [Moog Voyager] - Rex Ritter Tambura [Electric Tamboura] - William Herzog* Trombone, Organ [Roland Juno], Synthesizer [Korg Ms20] - Steve Moore (5) Trumpet - Tony Moore (10) Voice - Attila Csihar Written By - Anderson/O'Malley/Csihar | ||||
| 4 | Alice | 16:20 | ||
|
Arranged By [Ensemble] -
Eyvind Kang
Bass Guitar - Greg Anderson Clarinet, Clarinet [Bass], Flute [Alto] - Hans Teuber Double Bass - Keith Lowe , Moriah Neils , Tim Smollen Electric Guitar - Stephen O'Malley Electric Guitar, Cymbal [Motorized], Performer [Oscillator] - Oren Ambarchi Engineer - Mell Dettmer , Randall Dunn French Horn - Josiah Boothby Harp - Melissa Walsh Oboe, English Horn - Taina Karr Trombone - Julien Priester , Steve Moore (5) , Stuart Dempster Viola - Eyvind Kang Violin - Timb Harris Written By - Anderson/O'Malley | ||||
Each Sunn album has had a fair share of guest musicians. However, Monoliths & Dimensions is the first to utilize each musician's contribution and flawlessly infuse them to create a greater realization of each piece of music. Oren Ambarchi and Attila Csihar have been consistent members in recent years and are also credited as "key players" on the album. Csihar's contributions are stronger and more coherent than on past albums in my opinion. The lyrics are closer to traditional vocals perhaps than the chants on past albums, but still contain an atmospheric delivery. Dylan Carlson of Earth makes an appearance on the track Big Church. He even receives credit for inspiring the choir arrangement of the track. One of the most surprising appearances is by jazz trombonist Julian Priester, an alumni of Sun Ra's Arkestra, who contributes a beautiful and human sounding melody which finalizes the last moments of the album. The most noticeable contribution however, is by Eyvind Kang and his direction of the chamber ensemble players. These arrangements add the most depth to the album and coax the music into something unique.
At times, Sunn have been negatively portrayed as a band built by hype. I can't say that I am completely in love with some of their earliest releases, but they have been progressing into more creative and ambitious ventures within the last few years. As I said at the beginning, this is most likely going to be the pinnacle of the group. This is by far the most imaginative music that Sunn has released.
Even with new found diversity, the slogan still holds true... "Maximum Volume Yields Maximum Results".