| A1 | Thomas Bangalter - | Irreversible | 6:32 | |
| A2 | Thomas Bangalter - | Tempus Edax Rerum | 1:14 | |
|
Edited By -
Gaspar Noe*
,
Marc Boucrot
,
Valérie Deloff*
Mixed By - Cyril Holtz | ||||
| A3 | G. Mahler* - | Symphony N° 9 In D Major - Adagio (Excerpt) | 1:49 | |
|
Composed By -
G. Mahler*
Conductor - Vaclav Neumann* Effects [Additional Sound Effects Production], Edited By - Gaspar Noe* , Marc Boucrot , Thomas Bangalter , Valérie Deloff* Mixed By - Cyril Holtz Orchestra - Czech Philharmonic Orchestra, The | ||||
| A4 | Thomas Bangalter - | Rectum | 6:23 | |
|
Edited By -
Gaspar Noe*
,
Marc Boucrot
,
Valérie Deloff*
Mixed By - Cyril Holtz | ||||
| A5 | Thomas Bangalter - | Night Beats | 2:17 | |
| B1 | Thomas Bangalter - | Stress | 6:41 | |
| B2 | Thomas Bangalter - | Paris By Night | 6:05 | |
| B3 | Thomas Bangalter - | Outrage | 6:29 | |
| C1 | Thomas Bangalter - | Outrun | 5:42 | |
| C2 | Thomas Bangalter - | Spinal Scratch | 6:29 | |
| C3 | Thomas Bangalter - | Extra Dry | 4:57 | |
| D1 | Thomas Bangalter - | Desaccords | 3:48 | |
| D2 | Thomas Bangalter - | Ventura / Into The Tunnel | 5:47 | |
| D3 | Etienne Daho - | Mon Manege A Moi | 3:51 | |
|
Mixed By -
Tyrell*
Performer - Etienne Daho Producer - Arnold Turboust , Etienne Daho Written-By - Constantin* , Glanzberg* | ||||
| D4 | L.V. Beethoven* - | Symphony N° 7 In A Major Op. 92 (Excerpt) | 3:23 | |
|
Composed By -
L.V. Beethoven*
Conductor - Vaclav Neumann* Orchestra - Czech Philharmonic Orchestra, The | ||||
| D5 | Thomas Bangalter - | The End | 1:11 | |
|
Effects [Sound Effects Production], Edited By -
Gaspar Noe*
,
Marc Boucrot
,
Valérie Deloff*
Mixed By - Cyril Holtz Producer [Created By] - Thomas Bangalter | ||||
Bangalter does an absolutely incredible job with this soundtrack in conveying the starkly contrasting emotions and realities portrayed in the film "Irreversible," which is a must see as well.
Also, the track "Night Beats" is a great bridge track to bring a DJ set from more downtempo stuff to fast driving house. James Lavelle used this track on his "Global Underground: Barcelona" CD to do just that. It sounds great slowed down, and can be pitched up at least 20% and still sound good.