Thomas Fehlmann ‎– Good Fridge. Flowing: Ninezeronineight.

Label:
Apollo – AMB 8951CD
Format:
CD, Album
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

1 Thomas Fehlmann Superfrühstück
Mixed By – George Holt
4:26
2 Thomas Fehlmann Hermosa 5:34
3 Thomas Fehlmann Zauberwort 3:37
4 Thomas Fehlmann Banda (I.A.O.O.L) 1:46
5 Thomas Fehlmann Baratti 3:27
6 Thomas Fehlmann Unisize 0:49
7 Thomas Fehlmann With Alex Paterson 6ix Days
Written-By, Mixed By – Alex Paterson
3:07
8 Thomas Fehlmann Kirsche 1:04
9 Thomas Fehlmann Wee Wee Mademoiselle
Mixed By – George Holt
3:12
10 Thomas Fehlmann Globus
Mixed By – George Holt
2:48
11 Thomas Fehlmann Sangita Rana
Mixed By – George Holt
4:44
12 Thomas Fehlmann Cuddle 3:51
13 Thomas Fehlmann With Alex Paterson Teufel
Written-By, Mixed By – Alex Paterson
3:16
14 Thomas Fehlmann Face The Day 4:09
15 Thomas Fehlmann Kufi & Nashi
Mixed By – George Holt
1:23
16 Thomas Fehlmann Speedo
Mixed By – George Holt
2:22
17 Thomas Fehlmann Lüster
Mixed By – George Holt
4:05
18 Thomas Fehlmann With Sun Electric Snake Salvador
Written-By, Producer – Max Loderbauer, Tom Thiel
3:10
19 Thomas Fehlmann Dingo
Mixed By – George Holt
4:21
20 Thomas Fehlmann With Moritz von Oswald Schizophrenia
Written-By, Mixed By, Producer – Moritz von Oswald
4:33

Credits

Notes

Written/mixed/produced 1990-1998 @ LAB Berlin.
20: Written/mixed/produced @ Love Park Berlin.
3, 12, 13, 17 inspired by Domenico Zindato's tarot interpretations.
Mastered @ D + M-Berlin.

All tracks previously unreleased except 2, 4, 14, 20.
The versions on this album however are all shorter than the originals:
2: taken from Berlin Unwrapped 2XCD.
4: taken from Interference - Live At Love Parade '94 2xCD.
14: taken from Trance Europe Express 2xCD.
20: taken from Excursions In Ambience - The Second Orbit CD.

Manufactured / marketed by R + S Records.
℗ 1998 R + S Records. © 1998 R + S Records.

Made in Austria.

Barcode and Other Identifiers

  • Barcode: 5411659905120
  • Other (Rights Societies): SABAM BIEM
  • Matrix / Runout: DADC AUSTRIA A0100252466-0101 11 A0
  • Other (SID Codes): IFPI L551 IFPI 94A8

Other Versions (Showing 3 of 3) View All

Title, Format Label Cat# Country Year
Good Fridge (Flowing: Ninezeronineight) (CD) SMEJ Associated Records AICT 70 Japan 1999
Good Fridge (Flowing: Ninezeronineight) (2xLP, Album) Apollo AMB 8951 LP Belgium 1998
Flow '90 - '98 (CD, Promo) Apollo AMB 8951 CD PROMO Belgium  
▸ show all 3 reviews

Reviews & Discussion

Rated 5/5
Review by Jazzual May 06, 2012 (edited 20 days ago)
Listening to this album is an almost disorientating experience, such is it's musical scope and vision. Fehlmann clearly has a wide and varied taste in music and brings a dizzying array of sounds into this release while somehow making it work as a coherent whole. Overall the mood is bright and optimistic, expansive and deep. The sounds multilayered and complex yet still accessible. Genre-wise there are elements of IDM, dub, techno, ambient, trance, orchestral music yet absolutely no signs of the cliches or formulas employed by artists in those fields. The sign of a great album is how well it stands up to repeated listens and it's hard to image ever getting bored of this. I agree with kompressorkanonen, the standout track is Face The Day. I first heard it on the Trance Europe Express compilation from 1993 and it stood out even on that classic release against artists like The Black Dog, Bandulu and Orbital. This is an essential release for any electronic collection and one of the finest albums of the 90s.
kompressorkanonen Apr 10, 2010
Much more accessible than its cryptic subtitle, "Good Fridge" is sweet as a nut. This is freeform, jazzy electronic listening music which is fairly inobtrusive, but Fehlmann's deft musicianship and production skills keeps it from becoming aural wallpaper. The highlight is the absolutely gorgeous "Face the Day", which is one of my favourite pieces of music in any genre and a tour de force of ambient techno; playful, bittersweet and timeless, this is the quintessential Fehlmann track. Unfortunately, the mix here is an edited version.

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