Tracklist
| 1 | Butterfly (Radio Edit) | 4:10 | ||
| Vocals - Zee Cowling | ||||
| 2 | Butterfly (Tilt's Mechanism Mix) | 10:41 | ||
| Vocals - Zee Cowling | ||||
| 3 | The Phantom (Tilt's Masked Mix) | 7:09 | ||
| Mixed By - Parks & Wilson | ||||
Credits
Notes
Engineered at Midiroom Studios, Stoke-On-Trent.
Mixed for Red Parrot Management, London.
Vocals on tracks 1 & 2 for Down To Earth Management.
Tracks 1 & 2 published by Copyright Control/Planet Songs.
Track 3 published by Copyright Control.
Mixed for Red Parrot Management, London.
Vocals on tracks 1 & 2 for Down To Earth Management.
Tracks 1 & 2 published by Copyright Control/Planet Songs.
Track 3 published by Copyright Control.
Recommendations
-
Tilt - Invisible (CD, Single, CD1)
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Tilt Feat. Zee* - Butterfly (CD, Maxi, CD2)
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Tilt - Children (CD, Single)
-
Humate - Love Stimulation (CD, Single)
-
Lost Tribe - Gamemaster (CD, Single, CD1)
▸ show all 2 reviews
Reviews & Discussion
in my personal opinion the Butterfly radio version is one of Tilt's finest work. great vocals, melody, bass- and piano line all driven and mixed in perfection. what's make this version even special for me is that an instrumental sample i know very well from "Grace - Not Over Yet", is present throughout the song but especially in the chorus parts. love it.
'Butterfly' is a crisp example of the cracking trancers Graham, Parks & Wilson used to pop out in their heyday. It has a great drive, nice bassline and razor sharp production. However, this is all spoiled by Zee Cowling's terrible vocals. The real surpise on this is the b-side.
'The Phantom' is drum & bass flirting track and when I first heard this i didn't think much of it. It sits between a juxtaposed position between the style of trance Tilt was outputting and nuskool breaks which Parks & Wilson would be do more of later on. It did however grow on me a lot when i heard it again a few years later. The piece itself is a driving piece of music with a dirty breakbeat and a low subby bassline. Synthtwitters & some dark pads back up a synthy guitarplucked as the main lead. The track is criminally overlooked in my opinion.
'The Phantom' is drum & bass flirting track and when I first heard this i didn't think much of it. It sits between a juxtaposed position between the style of trance Tilt was outputting and nuskool breaks which Parks & Wilson would be do more of later on. It did however grow on me a lot when i heard it again a few years later. The piece itself is a driving piece of music with a dirty breakbeat and a low subby bassline. Synthtwitters & some dark pads back up a synthy guitarplucked as the main lead. The track is criminally overlooked in my opinion.
