| 1 | Tepid Bile | X | ||
| 2 | Ruck | X | ||
| Vocals - Epcot | ||||
| 3 | Tip Hop2 | X | ||
| 4 | Crimp | X | ||
| 5 | Paperthinreality | X | ||
| 6 | Learning Is Remembering | X | ||
| Vocals - Epcot | ||||
| 7 | Run4Cover | X | ||
| 8 | Gong Show | X | ||
| 9 | As Thick As You Can Quink | X | ||
| 10 | Dead Pixels | X | ||
| Vocals - Epcot | ||||
| 11 | Pins & Needles | X | ||
| 12 | Grubby Weasel | X | ||
| 13 | Flitch | X | ||
| 14 | Fleas And Itches | X | ||
| 15 | Primordial Soup | X | ||
| 16 | Ton Of Brix | X | ||
| 17 | CycleswithinCycleswithin | X | ||
| 18 | Ruck | |||
| Vocals - Epcot | ||||
| 19 | Learning Is Remembering | |||
| Vocals - Epcot | ||||
| 20 | Dead Pixels | |||
| Vocals - Epcot | ||||
Dave Tipper’s scratching and mixing is of an awe inspiring quality, as are the tunes themselves. Having heard and bought some of these tracks on vinyl, I can tell that the mastering is even better here.
The hip-hop theme is strong. Tipper owns it with jaw dropping effects, creative synth manipulation and quirky yet controlled editing. Despite so much technically innovative electronic music being relatively inaccessible, Tipper never loses site of the goal and doesn’t let technology misguide the raw grooves.
From the more traditional horn and piano samples on Tepid Bile or Run4cover, Epcot’s thoughtful and well delivered lyrics in Learning is Remembering, or the synth psychedelia of Paperthinreality, there’s plenty to keep the listener interested and prove that Tipper is certainly no one trick pony.
However, there’s a definite a loss of momentum toward the end of the mix. The organic spirals of controlled chaos gradually lean closer to the more traditional club breaks style reminiscent of late nineties releases on Skint, Botchit & Scarper or Fuel. The music is still of high quality, but I feel that Dave has piled the majority of his best tricks toward the front end of the mix. This is certainly attention grabbing, but I wish that he had held some better cards for later in the game, as I think this would improve the overall listening experience.
Having said that, the sexy funk of the penultimate track, Ton Of Brix rarely fails to lift my spirits and Cycleswithincycles is one of the best examples of Tipper’s archetypal finishing move. Inspiring, melodic and spacious, when I listen to this track I can’t help but feel humbled …considering the paradox of existence, staring out as well as in, feeling godly and yet insignificant with each breath.
To date, Tip-Hop is Tipper’s finest hour. Although I prefer much of the music found his albums Surrounded and Seamless Unspeakable Something, there is a rare intensity to this mix which shines brightly above the competition in this field. I’m yet to hear a better example of a mixed dance album.
I offer this album a 5 star rating regrettably, because to offer it 10 stars would not pay it the respect it deserves.