Tomita ‎– The Planets

Genre:
Style:
Year:
Notes:
℗ 1976

Tracklist

I. Mars, The Bringer Of War 10:48
II. Venus, The Bringer Of Peace 8:46
III. Mercury, The Winged Messenger 5:28
IV. Jupiter, The Bringer Of Jollity
V. Saturn, The Bringer Of Old Age
VI. Uranus, The Magician
VII. Neptune, The Mystic

Versions

Title Label Cat# Country Year
The Planets (LP, Album) RCA Red Seal ARL1-1919 Japan 1976
The Planets (LP) RCA Red Seal, RCA Red Seal RL 11919, ARL1 1919 UK 1976
The Planets (LP, Album) RCA ARL1-1919 US 1976
The Planets (LP, Album, Quad) RCA Red Seal ARD1-1919 US 1976
The Planets (LP, Album) RCA Red Seal RVC-2111 Japan 1977
The Planets (LP, Album, P/Mixed) RCA Red Seal 105.4082 Brazil 1978
The Planets (LP, Album, RE) RCA Red Seal RL81919 UK & Europe 1985
The Planets (CD) RCA Red Seal RD81919 Germany 1991
The Planets (CD) RCA BVCC-2508 Japan 1991
The Planets (CD, Album) RCA Victor GD60518 US 1991
The Planets (CD, Album, RE) RCA Victor 60518-2-RG US 1991
Planets - Ultimate Edition (SACD, Multichannel, RM, Hyb) Denon COGQ-51 Japan 2011
The Planets (CD, Album) RCA Red Seal, RCA Red Seal ARCD 6047, ARCD6047 Australia  
The Planets (CD, Album) RCA Red Seal RCD1-1919 US  
▸ show all 1 review

Reviews & Discussion

Rated 4/5
Review by TIM Apr 06, 2012

referencing The Planets, LP, Album, ARL1-1919

"...He continued to release albums, of which the best known are his arrangements of classics, such as Igor Stravinsky's The Firebird, Modest Mussorgsky's Pictures at an Exhibition, and Gustav Holst's The Planets. Tomita's albums Pictures at an Exhibition (1975), The Firebird Suite (1975) and Holst: The Planets (1976) introduced a new direction that infused classical synth music with dynamic futuristic music, while abandoning the note-by-note approach previously used in synthesized classical music in favour of polyphonic sounds. Holst: The Planets in particular introduced a science fiction space theme, a connection that had rarely been explored since the 1956 film Forbidden Planet.[2] This album sparked controversy on its release, as Imogen Holst, daughter of Gustav Holst, refused permission for her father's work to be interpreted in this way. The album was withdrawn, and is, consequently, rare in its original vinyl form..."

Master Release

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