Tony Lionni | Radio Slave – Berghain 03 | Part I
Label:
Ostgut Ton – o-ton22
Format:
Vinyl, 12", 33 ⅓ RPM, 45 RPM
Country:
Released:
Genre:
Style:
Tracklist Hide Credits
| A | Tony Lionni – |
Found A Place
Written-By, Producer – Tony Lionni |
5:24 | |
| B | Radio Slave – |
Neverending .....
Written-By, Producer – Matt Edwards |
11:44 |
Credits
- Layout – Yusuf Etiman
- Mastered By – Loop-O
- Photography By – Sven Marquardt
Notes
Both tracks taken from Berghain 03 | Len Faki mix compilation (OSTGUTCD08).
P&C 2009 Ostgut Ton
Made in the EU
Mastered at Dubplates & Mastering, Berlin.
Distributed by Kompakt, Cologne.
Track A published by Copyright Control.
Track B published by Rekids Publishing. Under exclusive license from Rekids Limited.
A-Side: 45 RPM / B-Side: 33 ⅓ RPM
Track A: 125 BPM / Track B: 126 BPM
Track durations and BPM are not present on the record.
Other Versions (Showing 2 of 2) View All
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| Berghain 03 | Part I (12", Promo, W/Lbl) | Ostgut Ton | o-ton22 | Germany | 2009 | ||
| Berghain 03 | Part I (2xFile, WAV) | Ostgut Ton | o-ton22 | Germany | 2009 |
Recommendations
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Reviews & Discussion
Has anyone else noticed the grooves on this record are a bit strange (in a good way)? For instance, on "Found A Place" the last part of the record has a repetitive pattern in the grooves, while the intensity of the track clearly decreases. Does the cutter have control over this?
"Found A Place" by Tony Lionni summarizes all gimmicks featured in the coolest house or techno tunes produced around late 00's/early 10s (and somehow in the deepest dubstep and bass music too) : equally anthemic and hypnotic purposes, echoes all around, old-school-sounding euphoric piano sequences paying homage to early Chicago and Detroit, very balanced production and sound-design, THOSE obsessive mantra-like cut-up girl voices snippets, fluid and perfectly mastered dynamic progression : in my book, an examplary quality club track of its era.
[r1715212]