| Discothèque (DM Deep Extended Club Mix) | 10:02 | |
| Discothèque (Hexidecimal Mix) | 7:21 | |
| Discothèque | 5:19 | |
| Holy Joe (Guilty Mix) | 5:09 | |
| Discothèque (Howie B Hairy B Mix) | 7:40 |
| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Discothèque (CD, Maxi) | Island Records | 422-854 789-2 | US | 1997 | |
| Discothèque (12") | Island Records | 422-854 789-1 | US | 1997 | |
| Discothèque (12", Promo) | Island Records | PR12 7398-1 | US | 1997 | |
| Discothèque (3x12") | Island Records, Island Records, Island Records | 12 IST 649 , 854 941-1, 12IST649 | UK | 1997 | |
| Discothèque (3x12", Promo) | Island Records | 12 ISD 649 DJ | UK | 1997 | |
| Discothèque (3x12", Promo) | Island Records | PR12 7345-1 | US | 1997 | |
| Discothèque (7") | Island Records | 422-854 774-7 | US | 1997 | |
| Discothèque (CD, Maxi) | Mercury | 854 877-2 | Australia | 1997 | |
| Discothèque (CD, Maxi) | Polygram Records (Australia) | 854 877-2 | Australia | 1997 | |
| Discothèque (CD, Single) | Island Records, Island Records | CIDX 649, 854 877-2 | UK & Europe | 1997 | |
| Discothèque (CD, Single) | Island Records, Polygram | CIDT649, 854 774-2 | UK | 1997 | |
| Discothèque (CD, Single) | Island Records | 422-854 774-2 | US | 1997 | |
| Discothèque (CD, Single) | Island Records, Island Records | CID 649, 854 775-2 | UK & Europe | 1997 | |
| Discothèque (CD, Single, Car) | PolyGram Records (Australia) | 854 774-2 | Australia | 1997 | |
| Discothèque (CD, Single, Dig) | Island Records, Island Records | CID 649, 854 775-2 | UK & Europe | 1997 | |
| Discothèque (CD, Single, Promo) | Island Records | DISCO 1 | UK | 1997 | |
| Discothèque (CD, Single, Sli) | Island Records, Island Records | CID 649, 854 775-2 | Europe | 1997 |
referencing Discothèque, CD, Single, CIDX 649, 854 877-2
referencing Discothèque, CD, Single, CIDX 649, 854 877-2
Howie B takes the foundation of the original and adds a bleepy broken touch to it, it's a fairly decent remix but i can't get into it for the life of me.
Steve Osbourne also takes the broken route but this one is more or less the original clubbed up a bit and then added a breakbeat to it. It's a well produced remix, but then again all of his remixes (together with Oakenfold) of U2's big tracks has been