| Part One (36:49) | ||||
| 1 | Gil Scott-Heron – |
'B' Movie
Producer – Gil Scott-Heron, Malcolm Cecil Written-By – Gil Scott-Heron |
12:12 | |
| 2 | TLC – |
Creep
Written-By – Dallas Austin |
4:23 | |
| 3 | Dr. Octagon – |
Bear Witness
Producer, Mixed By – Automator* Written-By – Daniel M. "The Automator" Nakamura* |
2:07 | |
| 4 | CJ Bolland – |
Horsepower
Written-By, Producer – CJ Bolland |
5:09 | |
| 5 | Remy & Sven – |
Piano Power
Producer – Remy Unger, Sven Van Hees Written-By – R. Unger*, S. Van Hees* |
6:35 | |
| 6 | LFO vs. F.U.S.E. – |
Loop
Written-By – Varley*, Bell*, Hawtin* |
6:21 | |
| Part Two (29:16) | ||||
| 7 | Toots & The Maytals – |
54-46 (That's My Number)
Written-By – Toots Hibbert |
3:18 | |
| 8 | LTJ Bukem – |
Music
Producer – Danny Williamson* Written-By – D. Williamson* |
3:12 | |
| 9 | Depeche Mode – |
Barrel Of A Gun
Producer – Tim Simenon Written-By – Martin L. Gore |
4:34 | |
| 10 | Aphex Twin – |
Digeridoo
Written-By, Producer – Richard D James* |
4:04 | |
| 11 | dead prez – |
Hip-Hop
Producer – dead prez Written-By – A. Mair*, C. Gavin*, L. Alford*, V. Williams* |
3:45 | |
| 12 | Ali Farka Toure* – |
Machengoidi
Written-By – Ali Farka Toure* |
2:31 | |
| 13 | Tartit – |
Buloululba
Written-By – Walett Oumar Zeinabou |
0:32 | |
| 14 | D' Angelo* – |
Brown Sugar
Written-By, Producer – Ali Shaheed Muhammad, D' Angelo* |
4:17 | |
| 15 | Gregory Isaacs – |
Public Eyes
Written-By – Isaacs* |
2:58 | |
Part One is unmixed except for tracks 2 to 4 which are partially mixed.
Track 4 is credited to 'Rave Signal'.
This compilation ℗ 2003 DMC Publishing Ltd. © 2003 DMC Publishing Ltd.
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| Back To Mine (3xLP, Comp) | DMC Publishing | BACKLP13 | UK | 2003 | ||
| Back To Mine (CD, Comp, Mixed, Promo) | DMC Publishing | BACKCD13PROMO | UK | 2003 | ||
| Back To Mine (CD, Comp, P/Mixed, Car) | Not On Label (Underworld) | CM0573 | China | 2003 |
There really is no continuity within this comp, there are some good tracks here and there, but overall they don't come together very well. Its as if Karl and Rick were trying to hard to cover too many bases on a single CD. They should have stuck to one aspect of their influences (just as long as its not that 80's synth pop stuff or whatever inspired them to write "Doot-Doot") and ran with that instead.