| 1 | Unknown Artist – | Blue Basket | ||
| 2 | Unknown Artist – | Sat Tee Touy (Look At The Owl) | ||
| 3 | Unknown Artist – | Untitled | ||
| 4 | Meas Samon – | Untitled | ||
| 5 | Sim Sisamouth* – | Don't Let My Girlfriend Tickle Me | ||
| 6 | Unknown Artist – | Instrumental | ||
| 7 | Son Thoeung – | Untitled | ||
| 8 | Unknown Artist – | Srey No (Lady Named NO) | ||
| 9 | Unknown Artist – | Instrumental | ||
| 10 | Prum Manh – | Two Wives Are Twice The Problem | ||
| 11 | Unknown Artist – | Untitled | ||
| 12 | Unknown Artist – | Untitled | ||
| 13 | Unknown Artist – | Blue Basket (Instrumental) | ||
| 14 | Unknown Artist – | Untitled | ||
| 15 | Unknown Artist – | Untitled | ||
| 16 | Unknown Artist – | Untitled | ||
| 17 | Unknown Artist – | She Doesn't Need Your Money | ||
| 18 | Unknown Artist – | Untitled | ||
| 19 | Unknown Artist – | Untitled | ||
| 20 | Unknown Artist – | Birds Are Singing But My Love Won't Return |
This collection was culled from over 150 ravaged cassettes found in Oakland, California, at the public library. Many of the tracks were recorded post Pol Pot holocaust between the 1970s and 1990s in Khmer-operated studios spread throughout the geography of the diaspora - From Cambodia to Thailand, Rhode Island to Long Beach and points in-between. Tracks 4, 5, 8, 11, 12 and 20 were recorded in Pnom Pehn between the mid-1960s and early 1970s