| A1 | Mescalinum United - | Vs. Evil (A New Level) | 4:56 | |
| Producer - Mover, The | ||||
| A2 | Mover, The - | Final Sickness | 5:13 | |
| Programmed By, Arranged By, Producer - Mover, The | ||||
| A3 | Program 1 - | World's Famous M.F. (Live At Hellraiser A'dam) | 3:08 | |
| Recorded By, Mixed By [Live] - Program 1 | ||||
| B1 | Tony G. - | Loveless | 3:52 | |
|
Piano [Additional Piano] -
Jani The Greek Freak
Recorded By, Engineer - 100.000 Tons Joe Written-By, Arranged By, Mixed By - Mover, The Written-By, Vocals - Tony G. | ||||
| B2 | Headshop - | Universe (Rmx.) | 5:00 | |
| Remix, Producer - Viking, The | ||||
| B3 | M.F.P.A. - | Came 2 Party | 3:26 | |
|
Other [Stimulated By] -
Ariane
,
Lucy
Producer - Mover, The | ||||
| C1 | Ace The Space - | 1 Gun - 2 Gun - 3 Gun - Roar! | 3:36 | |
|
Executive Producer -
Dance Ecstasy 2001
Producer - Ace The Space | ||||
| C2 | Nasty Django - | King Of FFM | 3:31 | |
|
Executive Producer -
Dance Ecstasy 2001
,
Lil' Pepe Castro
Mixed By, Producer - Pimp + Cru, The | ||||
| C3 | T-Bone Castro - | Bitches | 5:31 | |
|
Lyrics By [Triple-x-rated Lyrics By] -
Hilltop Hustler Quartet, The
Mixed By [Original Pimp Mix], Producer - T-Bone Fucking Castro* | ||||
| D1 | Turbulence - | Bass Gladiators | 3:38 | |
|
Performer [Created & Tested By] -
Turbulence
Producer - Whurlstorm-Evacuation-Squad | ||||
| D2 | 303 Nation - | Double Speed Mayhem | 4:49 | |
| Programmed By, Producer - Sanchez Fernando* , Vuillaume Patrick* | ||||
| D3 | Leathernecks - | At War | 3:19 | |
|
Engineer -
Dusty Angel
Performer [Created By] - FFM-BKLYN Hood, The Vocals [Uncredited] - Lenny Dee | ||||
303 Nation leave their usual programming style in the closet for it and go tunnel vision for an ultimate track. After spending several minutes trying to compare, my conclusion is that the rotating Acidline sounds like nothing on Earth (frying fish, maybe? some kind of effervescent reaction?), yet it is the said double speed itself that causes the mayhem. Instead of using a hard distorted kickdrum, they used a full-on attack, though neat kick with a bit of reverb and doubled it. The impressive result is this unforgettable track that sounds as if it were played fast forward. Confusion guaranteed.