| 1 | Eat Static - | Sands Of Time | 8:42 | X |
| Written-By, Producer - Mervyn Pepler* | ||||
| 2 | Ultimax - | Noir | 6:25 | X |
| Written-By, Producer - Kosenko Maxim | ||||
| 3 | Radiate (2) - | Witchkraft | 6:36 | X |
| Written-By, Producer - Nick Edell , Seb Taylor* | ||||
| 4 | Phutureprimitive Feat. Alyssa Palmer - | Deeper | 7:22 | X |
|
Featuring, Vocals -
Alyssa Palmer
Written-By, Producer - Rain (14) | ||||
| 5 | Mauxuam - | After B4 | 6:15 | X |
|
Performer [Granular Wurly] -
Greg Hunter
Written-by, Producer [Sliced And Shuffled By] - Maurizio Liguori | ||||
| 6 | Tripswitch - | Lyra | 7:57 | X |
| Written-By, Producer - Nick Brennan | ||||
| 7 | Solar Fields - | Jeezlh | 9:09 | X |
| Written-By, Producer - Magnus Birgersson | ||||
| 8 | Snakestyle - | Neutral Buoyancy | 6:56 | X |
|
Guitar [Guitar Samples] -
Mike Embleton
Written-By - Matt Embleton* | ||||
| 9 | Carbon Based Lifeforms - | Reaktion | 5:55 | X |
| Written-By, Producer - Daniel Ringström , Johannes Hedberg | ||||
| 10 | Cell - | Spinning Whale | 7:09 | X |
| Written-By, Producer - Alexandre Scheffer | ||||
Eat Static (Merv Pepler and Joie Hinton) - Sands of Time, contains a majority of sharp tones with a bucolic forest walk's feeling riding a horse at a walking pace ; it's something very calm, peaceful, bracing or yet climatic.
2. Ultimax (Max Kosenko from Israel) – Noir , consists in some Jazzy downtempo with some unpolished backgroundish sounds. After the middle break, the melody changes through a darker way which contrasts so much with the first part that you're wondering if you're still listening to the same thing. The answer is yes & i'm convinced that was the goal targeted by the artist here ;) .
3.
Radiate (Seb Taylor & Nick Edell) – Witchkraft, appears as a simple or minimalist tune if you don't really take care while listening. Indeed it's a very chiseled production , which is very deep, mental with soft sounds but also catchy & hypnotizin.
4.
Phutureprimitive (Rain) - Deeper feat. Alyssa Palmer, I don't understand what the hell is doing this tune on this compilation, it's just some cheap pop-chill : a big error of casting according to me.
5.
Mauxuam (Maurizio Liguori) - After B4 , for some experimental sounding, quite close to Jens Buchert soundscape. For those who don't know the previous quoted artist, let just precise the influences are eclectic & the content is mental.
6.
Tripswitch (Nick Brennan) – Lyra , the discret opening is murky soon accompanied with a slow motion rhythmic. Then there's the main pattern (the base of the tune) which is too much repetitive & gets quickly boring despite some efforts to make the track evolve with the piano thema for example from the break at 3"30; global result a lack of variation.
7.
Solar Fields (Magnus Birgersson from Sweden) – Jeezlh , if there would be a single song to retain from this cd, it will be this one. Usually i'm not a big fan of Solar Fields but here it's different cause that's the best track i've ever heard from him mixing emotional, tripping, hypnotic, floating, fairish & unpolished parts.
8.
Snakestyle (Matt Embleton from London)- Neutral Bouyancy , the music is weird, subtle, beatless tends to be minimalist too & results quite difficult to get in. To sum up the spirit of the track, i could say that at the same time it's a good one coz you can listen to it with absolutely no difficulties & on the other side when it finishes you don't remember anything of it like if it was never played. In a word: strange.
9.
Carbon Based Lifeforms – Reaktion strongly reminds me Solar Quest's productions from 1994, the Orgship album. Actually i'd prefer CBL sounding like in their Hydroponic Garden album (even if it would be a bit warmed up) instead of Solar Quest :( , despite the undeniable quality of the tune...
10. Cell (Alex Scheffer from France) - Spinning Whale, sadness is all around here packed with deep, hypnotic production & a hint of ether which could makes turn your head. Unfortunately, my attention focuses on the snare sound which doesn't fit with the rest of the banktones employed that's a real pity cause i think it contributes to ruin the track.
I personally consider more difficult to conceive an ambient-chill compilation than a dancefloor one, because on the downtempo scene, the artists have more facilities to exploit their personality, their own musical universe. That's a bit the worry of Future memories : picking up the tunes one by one would be perfect to the condition of not considering an artistic coherence all along & here it seems to be only partly intended.
climax:7
Mark : 7/10