Various - Futurism & Dada Reviewed 1912-1959
Label:
Catalog#:
LTMCD 2301
Format:
CD, Compilation, Reissue
Country:
UK
Released:
Aug 2000
Genre:
Electronic,
Non-Music
Style:
Spoken Word,
Experimental
Tracklist
| 1 | Luigi Russolo - | Risveglio Di Una Cita (1913) | 3:45 | |
| 2 | Antonio Russolo - | Corale (1921) | 1:57 | |
| 3 | Filippo Tommaso Marinetti - | Sintesi Musicali Futuriste (1931) | 6:56 | |
| 4 | Antonio Russolo - | Serenata (1921) | 2:34 | |
| 5 | Filippo Tommaso Marinetti - | La Battaglia Di Adrianopoli (1924) | 3:05 | |
| 6 | Filippo Tommaso Marinetti - | Definizione Di Futurismo (1924) | 3:08 | |
| 7 | Luigi Grandi - | Cavalli + Acciaio (1935) | 2:45 | |
| 8 | Wyndham Lewis - | End Of Enemy Interlude (1940) | 1:20 | |
| 9 | Guillaume Apollinaire - | Le Pont Mirabeau (1912) | 1:14 | |
| 10 | Tristan Tzara / Marcel Janco / Richard Huelsenbeck - | L'amiral Cherche Une Maison À Louer | 2:30 | |
| 11 | Marcel Duchamp / Richard Huelsenbeck / Tristan Tzara - | La Mariée Mise À Nue Par Ses Célibataires, Même / Inventing Dada (1959) / Dada Into Surrealism (1959) | 10:05 | |
| 12 | Kurt Schwitters - | Die Sonata In Urlauten (1932) | 3:24 | |
| 13 | Jean Cocteau - | La Toison d'Or (1929) | 2:44 | |
| 14 | Jean Cocteau - | Le Voleurs d'Enfants (1929) | 3:42 | |
| 15 | Marcel Duchamp - | La Mariée Mise À Nue Par Ses Célibataires, Même | 10:04 |
Notes
A 70 minute archive collection of original words, music and tone poems recorded by the original artists (where dated). Reissue of a Sub Rosa compilation.
The booklet, written by James Neiss and Paul Hammond (of Ultramarine), features detailed recording information and background notes on the artists featured.
Tracks 10 and 11 are undated. Track 11 is seperate recordings cut-up over a Duchamp tone poem. There is a 2 minute long track at index point 16, which is silent.
The booklet, written by James Neiss and Paul Hammond (of Ultramarine), features detailed recording information and background notes on the artists featured.
Tracks 10 and 11 are undated. Track 11 is seperate recordings cut-up over a Duchamp tone poem. There is a 2 minute long track at index point 16, which is silent.