| A1 | Jean-Claude Risset , D. Morrill* - | Trumpet Tone Synthesis / Brass And Percussion Sound Synthesis | ||
| A2 | Max Mathews - | Ever Ascending Tone Pitch Paradox | ||
| A3 | Max Mathews - | Duet With Electronic Violin And An Acoustic Violin | ||
| B1 | Max Mathews - | Violin With Brass Timbre | ||
| B2 | J. Ollive - | Mari-ia-a (Excerpt) | ||
| B3 | Ingmar Bengtsson & Alf Gabrielsson - | Three Examples Of Monophonic Rhythm Stimuli Performed On A Bongo Drum Or Side Drum | ||
| C1 | Ingmar Bengtsson & Alf Gabrielsson - | Three Examples Of Polyphonic Rhythm Stimuli Produced On An Electronic Rhythm Box | ||
| C2 | Johan Sundberg - | Soprano Singing And Synthesis | ||
| C3 | Johan Sundberg - | Dissonance And Consonance In Dyads | ||
| D1 | Erik Jansson (2) - | Four Violins In A Reverberration Chamber | ||
| D2 | Erik Jansson (2) - | Violins In Four Different Directions In A Unechoic Chamber | ||
| D3 | Ulf Rosenberg - | Symphony Orchestra In Stockholm Concert Hall | ||
| D4 | Hakon Sjögren - | Music Performed By A Pop-Group |