Subtitled "a collection of experimental music from Great Britain, 1960-1977".

Published in two editions:

Two CDs in a jewel case available from Electronic Music Foundation.

Two CDs mounted in the rear of Leonardo Music Journal Volume 11, published by The MIT Press, which includes: "Introduction - Not Necessarily 'English Music': Britain's Second Golden Age" by Nicolas Collins, "The Scratch Orchestra and Visual Arts" by Michael Parsons, "Cardew as a Basis for Discussion on Ethical Options" by Coriún Aharonián, "The New English Keyboard School: A Second 'Golden Age'" by Sarah E. Walker, "The Arrival of a New Musical Aesthetic: Extracts from a Half-Buried Diary" by Eddie Prévost, "Imaging Music: Abstract Expressionism and Free Improvisation" by Matthew Sansom, "Between Now and Then: The Auto-Interview of a Lapsed Musician" by Ranulph Glanville. "Plus ça change: Journeys, Instruments and Networks, 1966-2000" by Lawrence Casserley, "Stuart Marshall: Composer, Video Artist and Filmmaker, 1949-1993" by Alvin Lucier, "Gentle Fire: An Early Approach to Live Electronic Music" by Hugh Davies, "Making It Up as You Go Along" by Stuart Jones, "Remembering How To Forget: An Artist's Exploration of Sound" by Robin Rimbaud, "AudiOh!: Appropriation, Accident and Alteration" by Janek Schaefer, "Rorschach Audio: Ghost Voices and Perceptual Creativity" by Joe Banks, plus Contributors’ Notes on the double CD from Max Eastley, Simon Emmerson, Frank Perry, Michael Parsons, Hugh Davies, Bob Cobbing, Lol Coxhill, Terry Day, Steve Beresford, Ron Geesin, Ranulph Glanville, Mike Cooper, Peter Cusack, and Bryn Harris.