| 1-01 | Flint Glass - | Germ Code | 5:16 | |
| 1-02 | Ab Ovo - | Eddy B. Rmx | 6:05 | |
| 1-03 | Gom - | Hype | 3:53 | |
| 1-04 | Pilonaa - | Gouache | 3:56 | |
| 1-05 | Morthem Vlade Art - | Sleuth | 4:01 | |
| 1-06 | Oil 10 - | To The South | 4:32 | |
| 1-07 | NKL - | Unfunk | 6:14 | |
| 1-08 | Von Magnet - | Onzeocho | 4:40 | |
| 1-09 | Nimp - | L'Homme Qui N'Existait Pas | 6:39 | |
| 1-10 | Mimetic - | 2002 | 4:23 | |
| 1-11 | Haïku - | 1 | 7:01 | |
| 1-12 | Mlada Fronta - | Contrast | 7:02 | |
| 1-13 | Rabbits Sorrow - | Rain On Mollon | 4:47 | |
| 1-14 | Shizuka - | Tetsuo | 3:12 | |
| 1-15 | DJ Enthrall - | Black Eggs | 6:06 | |
| 2-01 | We Are Gentlemen - | Cherry Pie | 6:52 | |
| 2-02 | Moon (2) - | Omniprésence | 3:30 | |
| 2-03 | Apophasis - | Et Nox Facta Est | 5:05 | |
| 2-04 | Tin.RP - | D.I.N. v2.3 | 3:41 | |
| 2-05 | Zonk't - | Soft In The Middle | 3:34 | |
| 2-06 | Frederic Nogray - | Beat Régulier À 200 Hz Près | 6:35 | |
| 2-07 | Celluloïd Mata - | Hec.Riv | 2:39 | |
| 2-08 | Mid&Ric - | Sherman Release | 8:57 | |
| 2-09 | Finalcut - | Zones Grises | 6:28 | |
| 2-10 | Ultra Milkmaids - | Pleure | 5:16 | |
| 2-11 | Audioside - | Quel Que Soit Le Régime | 2:46 | |
| 2-12 | Margrave Ruediger - | White Water-Lily | 3:38 | |
| 2-13 | Such: - | Isotope-H | 5:20 | |
| 2-14 | De Mange Machine - | La Même Indifférence Qu'Il Témoignait Envers Toutes Choses | 5:00 | |
| 2-15 | Trombone - | Fanfare Mécanique | 3:02 | |
| 3-01 | Milligramme - | Intestines | 3:13 | |
| 3-02 | Lith - | Rupture | 4:10 | |
| 3-03 | Rudra Vena - | Produit | 5:25 | |
| 3-04 | Morphoex - | Cobaye | 3:23 | |
| 3-05 | Komplex - | Le Sens Des Nuances | 4:56 | |
| 3-06 | Zerogoki - | Layer 1 Weird | 5:05 | |
| 3-07 | Remain Silent - | Introversion - Part 4 | 4:39 | |
| 3-08 | Punish Yourself vs. Cult Movie Memorial, The - | Khalifa / Replacement For Anything | 3:49 | |
| 3-09 | Vassalfada - | I Am Between | 3:11 | |
| 3-10 | Macrocoma - | Soleil | 5:40 | |
| 3-11 | Sensory Mindfields - | Strange Noise | 3:27 | |
| 3-12 | J213 - | S6st | 4:21 | |
| 3-13 | Le Son De Convergence - | Verrou | 4:36 | |
| 3-14 | Stelladrine - | Steampunque | 4:14 | |
| 3-15 | Mourmansk 150 - | Poussière | 4:54 |
All music is based on three elements: melody, rhythm and texture. The most important here is the latter, which helps to create an abstract atmosphere where melody is hardly present and rhythm not always appears. The few melodies used are minimalistic and much of the rhythm applied is random or anarchic (forget about this compilation for the dancefloor).
But what’s most fascinating about this music is its rusty sound. Only in this specific sense can you apply the term industrial to this compilation. Don’t expect guitar or drums sampling, nor NIN-like grunts. Industrial style has its rules and these artists have emancipated from them. What we have here is an industrial flavour: it seems as if we’re in a noisy factory surrounded by self-moving machines that are almost alive.
The impersonality of the tracks inhibits the arise of any feeling through the listening of this music: it’s absolutely free of emotion, anger, happiness… But the listener might feel the threat of the machines and that can lead to fear or, at least, mystery. Just like a clock’s tic-tac or the sound of the sea, the soundscapes and noises of these artists can help you enjoy the peace of silence and make you dive into your own imagination.