Herbert* ‎– Secondhand Sounds: Herbert Remixes

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Tracklist

Nils Petter Molvaer* Merciful (Herbert's We Mix) 6:13
Motorbass Ezio (Herbert Remix) 7:41
Two Banks Of Four Street Lullaby (Herbert Gutter Dub) 5:54
Mono Highlife (Remember Herbert's Mix) 6:40
Herbert* The Last Beat (House Dub) 4:55
Herbert* Banquet (Herbert Remix) 7:09
Doctor Rockit Tape Measure (Herbert's Metric Mix) 5:38
Presence Future Luv (Herbert "Did This" Mix) 5:58
Furry Phreaks Want Me Like Water (Herbert's Tension Dub) 6:14
Herbert* Thoughts (Herbert Remix) 5:04
Terra Deva Fresh Start (Searching For Herbert's Mix) 5:53
Recloose Can't Take It (Herbert's Some Dumb Dub) 7:12
Moloko Sing It Back (Herbert's Tasteful Dub) 6:00
Dimbiman Koppchen (Herbert's D-D-D-Dazzle Dub) 6:30
Louie Austen Hoping (Herbert's High Dub) 6:37
Blaze Presents Cassioware* Fantasy (Herbert's Reality Dub) 8:00
Herbert* Suddenly (Herbert's Dub) 6:29
Moloko The Flipside (Herbert's Surround Sound Mix) 7:19
dZihan & Kamien Before (Herbert's After Dub Remix) 7:43
Serge Gainsbourg Bonnie & Clyde (Herbert's Fred & Ginger Mix) 7:35
Wishmountain Aerosoul (Herbert Remix) 5:58

Versions

Title Label Cat# Country Year
Secondhand Sounds: Herbert Remixes (2xCD, Comp, Dig) Peacefrog Records PFG021CD UK 2002
Secondhand Sounds: Herbert Remixes (3xLP) Peacefrog Records PFG021:01 UK 2002
Secondhand Sounds: Herbert Remixes (3xLP, Comp) Peacefrog Records PFG021:02 UK 2002
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Reviews & Discussion

Rated 5/5
Review by scoundrel Jun 30, 2004 (edited over 7 years ago)

referencing Secondhand Sounds: Herbert Remixes, 2xCD, Comp, Dig, PFG021CD

Secondhand Sounds, a collection of remixes by Herbert, showcase his unique and fascinating skills. While all of the tracks skew housewards, the differences in mood are wonderful. On the first disc, Mono gets “Highlife” taken to a new club high, while Two Banks of Four and Nils Petter Molvaer receive more jazzy mixes. Herbert also reworks himself, putting a beat behind “The Last Beat” and using those found sounds from a tape measure to enhance his Doctor Rockit track “Tape Measure.” The second disc really displays Herbert’s versatility: from the tech-stomp of Recloose’s “Can’t Take It” to the clattering of Moloko’s “Sing It Back,” these are a few of the reasons why Herbert has become such a big name. The stuttering on “Koppchen” or on the sleazy listening of “Hoping” showcase Herbert’s interest in the management of individual sounds. It’s this attention to sound and detail that makes his work memorable.

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