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Shortcut Code: [r35129]
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4.38 / 5 (32 votes)
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Various - Staedtizism 3: Instrumentals

Label:
Catalog#:
sc 012
Format:
2 x Vinyl, LP, Compilation
Country:
Germany
Released:
24 May 2002
Genre:
Electronic, Hip Hop
Style:
Dub, Experimental, Minimal

Tracklist

A1 Andrew Pekler  -  Steady Bounce 4:21
    Written-By, Producer - Andrew Pekler
A2 Bus (2)  -  Ticket 4:51
    Written-By, Producer - Daniel Meteo , Tom Thiel
A3 Jan Jelinek  -  Silver Circle 4:14
    Written-By, Producer - Jan Jelinek
B1 Cappablack  -  Components & Variables 4:31
    Written-By, Producer - Hashim B.* , Illeven
B2 Kit Clayton  -  Etymon, No! 3:40
    Written-By, Producer - Joshua Kit Clayton*
B3 John Tejada  -  Cyberspace Visual 4:28
    Vocals - Divine Styler
  Written-By, Producer - John Tejada
C1 Thomas Fehlmann  -  Lindt 4:44
    Written-By, Producer - Thomas Fehlmann
C2 Deadbeat  -  Right As Rain 7:13
    Written-By, Producer - Scott Monteith
C3 Process  -  Smooth Momentum 4:35
    Written-By, Producer - Steve Barnes
D1 Gazoo  -  Esplanade 4:10
    Written-By, Producer - Daniel Bell
D2 Antonelli Electr.  -  Mrs Maze 5:23
    Written-By, Producer - Antonelli Electr.
D3 System  -  Bruce 3:28
    Written-By, Producer - Anders Remmer , Jesper Skaaning , Thomas Knak

Credits

Artwork By - Bianca Strauch
Mastered By - CGB*

Notes

Mastered at Dubplates & Mastering (Berlin, Germany).

Recommendations

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Reviews & Discussion

Review by djinsomnia Jun 26, 2002
There is a growing number of artists who approach hip-hop from a completely new direction. To dedicate the third part of ~Scape's 'Staedtizism' compilation series to hip-hop, is nothing but a logical step. Somewhere in between jazz and weird funk, Andrew Pekler, Jan Jelinek & Bus are floating along. Cappablack from Japan and John Tejada, who teams up with Divine Styler, fan an earthquake full of scratch-inspired old school attacks. Kit Clayton's special brew of cutup-R&B-hop challenges Timbaland and, at the same time, invites him to hang out with him in San Francisco. In the meantime, Thomas Fehlmann is more interested in the relaxing power of the break and how beautifully crafted dub chords can work with it best. Gazoo aka Dan Bell follows this strategy, although he spells jazz with a Detroit-dawn-technobassdrum.