no image available
Various - Tellus #2
Label:
Catalog#:
Tellus #2
Format:
Cassette, Compilation, Album
Country:
US
Released:
1984
Genre:
Electronic,
Jazz,
Non-Music,
Rock
Style:
Spoken Word,
Avantgarde,
Art Rock,
Free Improvisation,
Power Electronics,
Experimental
Tracklist
| A1 | Kiki Smith - | Life Wants To Live | ||
| A2 | John Fekner City Squad - | Rock Steady | ||
|
Drums -
Robert Morales
Music By, Lyrics By - John Fekner Vocals - Dave Santaniello | ||||
| A3 | Vernita Nemec - | Private Places | ||
| A4 | Scene Is Now, The - | Bugged, Wigged Out | ||
| A5 | Tony Papa (2) - | Water Works (Theme) | ||
| A6 | Cardboard Air Band - | Little Rabbit | ||
| Written By - Kiki Smith | ||||
| A7 | Peter Nechvatal - | Electro-pop From Neo-Mud In Chicago | ||
| A8 | Charlie Morrow - | Old Man Beaver's Digitized Blessing | ||
|
Performer [Performance Concept], Mixed By -
Charlie Morrow
Synthesizer [Synclavier] - Christie Wells* Voice, Written By [Text] - Jerome Rothenberg | ||||
| A9 | Alex Noyes - | Because One Is Always Forgotten (Excerpt) | ||
|
Voice -
Eileen Hawes
Written By [Text] - Carolyn Forshe | ||||
| A10 | Ikkoh Mine - | AWA | ||
| A11 | David Rosenbloom - | Flowers (Excerpt From Departure) | ||
| Performer - Experimental Chorus And Orchestra | ||||
| B1 | Carol Parkinson - | Ramp | ||
| Piano, Organ [Electric], Autoharp - Carol Parkinson | ||||
| B2 | David Garland - | No More Misty Night Sky | ||
| Synthesizer [Fairlight Cmi] - David Garland | ||||
| B3 | John Fekner* - | 2-4-5-7-9-11 | ||
|
Bass -
Steve Givas
Performer [Arp Quartette] - Paul Sottnik Vocals - Bear 167 , Sandra Seymour Vocals, Keyboards, Drums [Dmx] - John Fekner | ||||
| B4 | Mitch Corber - | Budge, Budge, Budge The Budget | ||
| Tape - Mitch Corber | ||||
| B5 | Jamie Daglish* and George Elliot - | In The 80's | ||
|
Performer [All Instruments], Vocals [Part 1] -
George Elliot
Vocals [Part 2] - Jamie Daglish* | ||||
| B6 | Dr. Telecom - | Phone Is My Clone | ||
| Performer - Robert Stewart (4) , Susan Britton , Verge Piersol , Willoughby Sharp | ||||
| B7 | Charlie Noyes* - | One Cymbal (Excerpt) | ||
|
Engineer -
M. E. Miller*
,
Steve McAllister
Percussion [Processed 20" Abex Flat Ride Cymbal] - Charlie Noyes* | ||||
| B8 | Holly Huges , Sally A. White , Maureen Angelos , Jill Kirschen and Janee Pipik* - | Art Mart (Excerprt From The Well Of Horniness) | ||
| B9 | Ron Kuivala* - | TI Intends... (To Inforce Its Intellectual Property Rights To The Fullest Extent Permitted By Law) | ||
Notes
A1 - A sound installation at the Kitchen in December 1983.
A3 - An excerpt from an installation for The Second Coming, a show by Carnival Knowledge at Franklin Furnace.
A5 - Part of a series of 10 theme songs available from the artist.
A9 - Text by Carolyn Forshe from the book The Country Is Always Forgotten.
A11 - Premier performance at St. Peter's Church with the Experimental Chorus and Orchestra 1982.
B2 - Composed/Programmed June 1983 at Wendelstein Studio, Miesbach, W. Germany, recorded at PASS, NYC.
B4 - An endless 20 second loop heard echoing through the Presidential Portrait Gallery at the Ritz, Washington D.C. March 1983.
B6 - 1981. A Sharpcom Production.
B7 - Recorded Jan.14, 1984 at Boy's Club Annex, NYC.
B9 - The piece was an attempt to display and analyze the disembodied corporate imagination that devised the Military and Time/Weather vocabularies.
A3 - An excerpt from an installation for The Second Coming, a show by Carnival Knowledge at Franklin Furnace.
A5 - Part of a series of 10 theme songs available from the artist.
A9 - Text by Carolyn Forshe from the book The Country Is Always Forgotten.
A11 - Premier performance at St. Peter's Church with the Experimental Chorus and Orchestra 1982.
B2 - Composed/Programmed June 1983 at Wendelstein Studio, Miesbach, W. Germany, recorded at PASS, NYC.
B4 - An endless 20 second loop heard echoing through the Presidential Portrait Gallery at the Ritz, Washington D.C. March 1983.
B6 - 1981. A Sharpcom Production.
B7 - Recorded Jan.14, 1984 at Boy's Club Annex, NYC.
B9 - The piece was an attempt to display and analyze the disembodied corporate imagination that devised the Military and Time/Weather vocabularies.