| Squarepusher / AFX* – | Freeman Hardy & Willis Acid | ||
| Boards Of Canada – | Orange Romeda | ||
| Broadcast – | Hammer Without A Master | ||
| Plaid – | Ilasas | ||
| Autechre – | Stop Look Listen | ||
| Plone – | Plaything | ||
| Nightmares On Wax – | Fishtail Parker | ||
| Jimi Tenor – | Wear My Bikini | ||
| Two Lone Swordsmen – | Circulation | ||
| Red Snapper – | 4 Dead Monks (Original Demo) | ||
| Mira Calix – | Umchunga Locks | ||
| Mark Bell – | A Salute To Those People Who Say Fuck You |
| Title | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| We Are Reasonable People (3xLP, Comp, W/Lbl) | Warp Records | WAP 100 | UK | 1998 | |
| We Are Reasonable People (3xLP, Comp) | Warp Records, Warp Records | WAP 100, wap100 | UK | 1998 | |
| We Are Reasonable People (CD) | SMEJ Associated Records | AICT 12 | Japan | 1998 | |
| We Are Reasonable People (CD, Comp) | Source | 7243 8 46029 2 5 | France | 1998 | |
| We Are Reasonable People (CD, Comp) | Play It Again Sam [PIAS] | 687.0100.020 | Belgium | 1998 | |
| We Are Reasonable People (CD, Comp) | Warp Records, Rough Trade | WAP 100CD, RTD 126.3469.2 | Germany | 1998 | |
| We Are Reasonable People (CD, Comp) | Warp Records, Warp Records | WAP100CD, WAP 100CD | UK | 1998 | |
| We Are Reasonable People (CD, Comp, Promo) | Warp Records | WAP 100 CDP | UK | 1998 |
referencing We Are Reasonable People, CD, Comp, WAP100CD, WAP 100CD
referencing We Are Reasonable People, CD, Comp, WAP100CD, WAP 100CD
referencing We Are Reasonable People, CD, Comp, WAP100CD, WAP 100CD
Disclaimer: Videos may not match exact release
The Autechre track finds them in the early stages of their maddening decade-long exploration of non-music. Nightmares on Wax was near his creative peak when WAP100 was released, yet "Fishtail Parker" is just a goofy repetitive song with little to offer; similar results hamper the Jimi Tenor and Red Snapper tracks. Plaid, also in the midst of some very solid creative output, appears with one of their weakest tracks ever. The Plone track is just a sad reminder of Warp's ill-conceived (but thankfully short-lived) experiment with that outfit.
Certainly almost all these artists have done great things. It's just as if none of them wanted to part with their best work for this compilation. Perhaps this album is foreshadowing the decline in which Warp would soon find themselves. Avoid.