|
Title |
Label |
Cat# |
Country |
Year |
|
Welcome To Hell (LP, Album) |
Neat Records |
NEAT 1002 |
UK |
1981 |
|
Welcome To Hell (LP, Album) |
Neat Records, Base Record |
NEAT 1002 |
Italy |
1981 |
|
Welcome To Hell (LP, Album) |
Bernett Records |
SB 18002 |
France |
1981 |
|
Welcome To Hell (LP, Album) |
Trio Records |
AW-25018 |
Japan |
1981 |
|
Welcome To Hell (LP, Album, Pic) |
Neat Records |
Neat 1002 LP |
UK |
1981 |
|
Welcome To Hell (LP, Album) |
Banzai Records |
BRC 1907 |
Canada |
1984 |
|
Welcome To Hell (CD, Album) |
Combat |
Combat 88561-8032-2 |
US |
1985 |
|
Welcome To Hell (Cass, Album) |
Combat |
MXT 8032 |
US |
1985 |
|
Welcome To Hell (LP, Album) |
Combat |
MX 8032 |
US |
1985 |
|
Welcome To Hell (LP, Album) |
Victoria |
VLP-198 |
Spain |
1986 |
|
Welcome To Hell (LP, Album, RE) |
Roadrunner Records |
RR 9707 |
Netherlands |
1986 |
|
Welcome To Hell (CD, Album) |
Roadracer Records |
RO 9707-2 |
US |
1990 |
|
Welcome To Hell (CD, Album) |
Castle Communications |
CLACD 255 |
Europe |
1992 |
|
Welcome To Hell + Singles (CD, Bon) |
Teichiku Records |
TECX-25545 |
Japan |
1993 |
|
Welcome To Hell (CD, Album, RE, RM, Sli) |
Castle Music |
82310-73003-2 |
US |
2002 |
|
Welcome To Hell (CD, Album, RE, RM, Sli) |
Castle Music |
CMRCD471 |
UK |
2002 |
|
Welcome To Hell (LP, Album, RE) |
Earmark |
41002 |
Italy |
2003 |
|
Welcome To Hell (LP, Album, RE, Cle) |
Earmark |
641002 |
Italy |
2003 |
|
Welcome To Hell (LP, Album, RE, Gol) |
Earmark |
41002 |
Italy |
2003 |
|
Welcome To Hell (LP, Album, RE, Pic) |
Earmark |
41002P |
Italy |
2003 |
|
Welcome To Hell (CD, Album, RE, Ltd) |
Universal International |
UICY-93684 |
Japan |
2008 |
|
Welcome To Hell (2xLP, Album, RE, Cle) |
Back On Black |
BOBV198LP |
UK |
2010 |
At a time when most bands were seeking better production, this album sought to deconstruct Heavy Metal to its rawest state.
"Sons of Satan" dives in with distorted guitars and flat bass lines in what could be seen as the precursor to early death metal. The title track is perhaps the most coherent old style heavy metal track on the album - but dirtied up.
What follows through the rest of the album can be best described as metal mayhem. With tongue planted firmly in cheek lyrically, Venom deliver an album that goes from speed tracks like "Live like an Angel.." and "Witching Hour" to the slower tempo ones like "1000 days in Sodom" and In League with Satan" but all punctuated with same kind of twisted guitar riffs and rumbling bass lines. The album is fittingly ended with a track that descends into guitar chaos , has almost no audible direction in the middle and is held together only by a basic 4x4 drumbeat.
Of course the terms "metal mayhem" and "raw" are extremely subjective but bearing in mind when this album was released, it is a must for every extreme metal fan to see exactly where it all started