I thoroughly & wholeheartedly stand by my statement that the Wedding Present dragged this dog-end of a lame, 70's pop song & re-created it as only Dave Gedge could, providing a hundred deeper and more thought-provoking, emotive, resonant levels that Harley didn't even have a clue were there, let alone express. I'm not completely dismissing the "Rebel", but if you let yourself become enveloped by the constructs of Gedge's cathartic approach to the story-telling of the doomed relationship, the song blossoms in such an extraordinary way you'd have to have a heart of lead & a mind full of Playdoh™ not to be intensely moved. "Crawl" sets a totally different pace, yet not too distant. Desperate in his attempts to reclaim something of his lost love, he swings from a pleading, almost whining tone into what can only really be described as an orchestrated riot of melodic, soulful guitars, angry & bitter but melancholic. YOU try & write a song that does all that in 3 minutes... Then "Corduroy" kicks the crap out of what's left of you; un-abashed frenzied tension-release, screaming and buzz-sawing it's way through your remains. Truly a recording worthy of so much more acclaim. (And if you're fortunate enough to have the 10", a trip back to what they do best - letting loose on a live version of "Take Me". And who says "All the Songs Sound the Same?")
I'm not completely dismissing the "Rebel", but if you let yourself become enveloped by the constructs of Gedge's cathartic approach to the story-telling of the doomed relationship, the song blossoms in such an extraordinary way you'd have to have a heart of lead & a mind full of Playdoh™ not to be intensely moved.
"Crawl" sets a totally different pace, yet not too distant. Desperate in his attempts to reclaim something of his lost love, he swings from a pleading, almost whining tone into what can only really be described as an orchestrated riot of melodic, soulful guitars, angry & bitter but melancholic.
YOU try & write a song that does all that in 3 minutes...
Then "Corduroy" kicks the crap out of what's left of you; un-abashed frenzied tension-release, screaming and buzz-sawing it's way through your remains. Truly a recording worthy of so much more acclaim.
(And if you're fortunate enough to have the 10", a trip back to what they do best - letting loose on a live version of "Take Me".
And who says "All the Songs Sound the Same?")