| Title, Format | Label | Cat# | Country | Year | |
|---|---|---|---|---|---|
| Rok Da House (CD, Maxi) | Virtual Recordings | VR 008-8 | Germany | 1995 | |
| Rock Da House (CD, Maxi) | Central Station | CSR CD5 0127 | Australia | 1995 | |
| Rok Da House Remix (12", Ltd) | Virtual Recordings | VR008-12 ltd. | Germany | 1995 | |
| Rok Da House Remix (12", W/Lbl) | Virtual Recordings | VR 008-12LTD | Germany | 1995 | |
| Rok Da House (12") | TeC | TEC 9 | UK | 1995 | |
| Rok Da House (12") | Virtual Recordings | VR008-12 | Germany | 1995 | |
| Rok Da House (12") | Made In DJ | MDJ 16 | Spain | 1995 | |
| Rok Da House (12", Promo) | Virtual Recordings | VR 008-12 | Germany | 1995 | |
| Rok Da House '99 (12") | Ultra-x Records | ULX 009 | Germany | 1999 | |
| Rock Da House (12") | TeC | TEC 053 | UK | 2000 | |
| Rock Da House - Remixes (12", Ltd, Yel) | Staub | Staub 10 R | Germany | 2002 | |
| Rock Da House (12") | Staub | Staub 10 | Germany | 2002 | |
| Rock The House (12", RP, Ltd) | Overdrive | OVER-C 6001 | Germany | 2007 |
In truth, the few seconds that Mills forced into his set on that night in Tokyo are the only few worth listening to. The build up from the start of the track to the moment when the "raaaak da haaaaouse" vocal sample comes in is pretty nifty. But it's all downhill from there....and by that stage only 15% or so of the track has played!! After that it gets repetitive and annoying, with an awful breakdown and some bog standard "techno chords"....the same sounds over and over. BORING. Most DJs would probably end up playing too much of this track while preparing their next record. Mills made it exciting by keeping it short and sweet and focusing right on the small section that creates energy rather than the majority which drains it away.
The other two mixes are even worse. Some kind of hi-energy trance versions. Yuk.